“Galveston was my love letter to absence. I wrote it in a London flat, 1968, far from Texas beaches, imagining a soldier in Vietnam staring at the sea—any sea—begging it to rinse his rifle and his soul. “Galveston, oh Galveston” is homesickness weaponized; the waves are both memory and mercy. She stands on the pier, not just a girl but the idea of return, of life before the draft. I gave Glen Campbell a soldier’s ache wrapped in major chords—sunlit on the surface, haunted underneath. It’s anti-war without a slogan: longing, not protest, is the sharpest blade.” — Jimmy Webb
“Galveston” ” Student Covers
2025-11-08 All day
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2026-05-17 All dayA Sunday kind of love with Virginia Belles 🧡 pic.twitter.com/c85UgJVjRN
— UVA (@UVA) April 5, 2026
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2026-05-20 All dayhttps://www.youtube.com/watch?v=P88_lr3USRI
https://danforrest.com/music-catalog/two-colonial-folksongs-i-the-nightingale/
https://youtu.be/_mHXJdT1mM4?si=Nb139nEjZjs2WNnB
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2026-05-24 All dayPost-Easter in spirit "The Call" is the fourth song in Ralph Vaughan Williams’ Five Mystical Songs (1911). It sets a poem by the 17th-century English poet and Anglican priest George Herbert (from his 1633 collection The Temple).
