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Playlist: Monster Mash

https://youtu.be/XisJBxXPgtQ

https://youtu.be/5cbi-548K4A

 

 

“Rocky Horror Picture Show” Academy of Art University

“Time, the subtle thief of youth.”

– John Milton

 

Lively Arts

cx

Anatomical Donation

Tax-Free School Bonds

“Washington money” 2012 Robert Silvers

Today we pick through a few tax-free bond offerings that finance education community construction with a eye toward reducing construction cost and life-cycle maintenance through building codes and standards.   Use the login credentials at the upper right of our home page.

Tax-Free Bonds

Land & Property Finance

“Parable of the Rich Fool” 1627 Rembrandt

Today we run a status check on public consultations released by ANSI-accredited and finance industry consortia whose involvement affects the cost of US education communities.   Ahead of quarterly county elections we examine a few tax-free bond referenda on ballots across the US for insight into the money flow through education communities.

What is Financial Technology?

Energy 200

What a Wonderful World! | Ho Charlotte Sie Wing, 13, China

Review of all consensus, consortia and open source codes, standards and regulations regarding energy production and conservation relevant to the education facility industry.

Faculty and staff in the education industry in all nations provide basic research, application research in energy technologies.  The “cities-within-cities” we call the #SmartCampus” also provide crucibles for new testing new technologies as well as provide energy load for utilities operating under all ownership regimes.

Send bella@standardsmichigan.com an email for an advance agenda.

Standing Agenda / Energy Standards Monthly

“A House is Not a Home” Alabama A & M University

American Standard

Burt Bacharach’s A House Is Not a Home, composed in 1964 with lyrics by Hal David, is an American standard due to its timeless melody, emotional depth, and widespread influence. First recorded by Dionne Warwick, its lush orchestration and sophisticated chord progressions exemplify Bacharach’s signature style, blending pop, jazz, and soul. The song’s poignant lyrics about love and loss resonate universally, elevating it beyond its era. Its versatility is evident in covers by artists like Luther Vandross and Barbra Streisand, cementing its place in the Great American Songbook.

The song’s enduring presence in film, television, and live performances underscores its cultural significance. Bacharach’s innovative composition, paired with David’s heartfelt storytelling, creates a piece that transcends generations, embodying the emotional and musical qualities of a standard. Its lasting impact and universal appeal solidify A House Is Not a Home as an American classic.

Born Delloreese Patricia Early in Detroit’s Black Bottom neighborhood on July 6, 1931, Della Reese grew up in a working-class family with a steelworker father and cook mother. She began singing gospel in church at age six, honing her blues-jazz style amid economic hardship. After her mother’s 1949 death, she dropped out of Wayne State University to support her ailing father, taking odd jobs like truck driving before leaving home over family discord. Performing in local clubs, she shortened her name and toured with Mahalia Jackson as a teen, launching her career.

By the 1960s, signed to RCA Victor after Jubilee success, Reese transitioned to pop standards. She recorded Burt Bacharach’s “A House Is Not a Home” on her 1967 ABC album On Strings of Blue, infusing it with soulful depth; conveying a sense that she has a deep understanding of heartbreak.


 

Underground Power & ICT Raceway

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Colloquy (October)

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