Category Archives: Architectural/Hammurabi

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Robie House

“The mother art is architecture. Without an architecture of our own,

we have no soul of our own civilization.”

Frank Lloyd Wright

 

 

 

 

 

 

 

 

 

 

 

Prairie School Architecture

University of Chicago Architectural Studies

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Frank Lloyd Trust

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Robie House is maintained and operated by the Frank Lloyd Wright Trust, a nonprofit organization dedicated to preserving the works of Frank Lloyd Wright. The trust focuses on the restoration, preservation, and education related to Wright’s architectural legacy. The Robie House, located in the Hyde Park neighborhood of Chicago, is one of the trust’s key properties.

Building codes for houses and museums may have some similarities but also key differences due to the distinct functions and occupancy types. Building codes are typically established to ensure the safety, health, and general welfare of the occupants and the public. While some requirements may be consistent, the specific regulations can vary based on the use and characteristics of the building. Here are some general considerations for how building codes might differ between houses and museums:

  1. Occupancy Type: The primary factor that influences building codes is the occupancy type. Residential houses are generally classified as Group R (Residential), while museums might fall under Group A (Assembly) or Group B (Business). Each occupancy group has specific requirements related to fire safety, egress, accessibility, and structural integrity.
  2. Fire Safety: Museums often house valuable artifacts, and fire safety is a critical concern. Museums may have more stringent fire protection measures, such as fire suppression systems, fire-resistant construction materials, and specialized storage requirements for certain materials. Residential homes also have fire safety requirements but may not have the same level of protection as cultural institutions.
  3. Accessibility: Museums, as public buildings, are usually subject to more stringent accessibility requirements to ensure that people with disabilities can navigate the space. This includes features like ramps, elevators, and accessible restrooms. Residential buildings have accessibility requirements as well, but they are typically less extensive compared to public spaces.
  4. Structural Requirements: Museums may have specialized structural requirements to support the weight of exhibits, particularly for large and heavy artifacts. Residential homes, while still subject to structural codes, may not have the same load-bearing considerations unless they incorporate unique features like extensive libraries or art collections.
  5. Zoning and Land Use: The location and zoning regulations can also impact both houses and museums differently. Museums might be subject to additional zoning requirements related to cultural institutions, parking, and public access.
  6. Energy Efficiency: Both residential and commercial buildings are subject to energy efficiency codes, but the specific requirements may differ. Commercial buildings, including museums, might have more extensive requirements for HVAC systems, lighting, and insulation.

International Residential Code


Illinois

 

Classroom Acoustics

“Quiet people have the loudest minds.”
— Stephen Hawking

Donegan Acoustics

With acoustic considerations a substantial contributor to the effectiveness of learning spaces — classrooms, lecture hall, performance arts and athletic venues, etc.  — we follow action in the Acoustical Society of America (ASA) suite of ANSI-accredited standards.

ASA Standards Homepage

For example, building codes in the United States identify horizontal and vertical acoustic insulation between floors and between walls, respectively, as design considerations.   Section 1206.2 of the International Building Code deal with  horizontal and vertical wall sealant applications for “airborne sound” mitigation, for example.   Fire protection and mass notification systems identified in NFPA 72 and UL 2572 depend upon alarms actually being heard by the occupants underscore the importance of acoustic design.  When lively art spaces are also instructional spaces we seek to understand the standard of care for acoustic design of classroom spaces.   Of particular interest to us in the ASA bibliography is the title linked below:

ASA S12.60 Acoustical Performance Criteria, Design Requirements, and Guidelines for Schools, Part 2: Relocatable Classroom Factors.

This is a fairly stable standard; though other sound related technologies we cover in other sound related technologies (ISO TC/43 Acoustics and IEC Electroacoustics TC 29).  Last year’s update was required by ANSI and we had no comments to submit; absent queries from students, faculty and staff.  It is wise to keep it on our radar, however, given the step-change in education communities owed to the pandemic.

On your own you may communicate with Caryn Mennigke at ASA: (631) 390-0215, asastds@acousticalsociety.org.  The ASA uses ANSI Standards Action for issuing live public consultation notices.

Since acoustic technologies cut across many disciplines we maintain it on the standing agenda of our Construction, Lively Art and Nota Bene teleconferences.   See our CALENDAR next scheduled meeting; open to everyone.

Issue: [19-140]

Category: Academics, Architectural, #SmartCampus

Colleagues: Mike Anthony, Kristen Murphy


LEARN MORE:

Room acoustic design, measurement, and simulation techniques to reduce hospital noises within patients’ environment | Mojtaba Navvab,  University of Michigan

Acoustical/Performance Criteria, Design Requirements, and Guidelines for Schools   International Code Council

ASTM Standard E90, 2009 (2016). Standard Test Method for Laboratory Measurement of Airborne Sound Transmission Loss of Building Partitions and Elements

 

Study on the Relationship Between Speech Intelligibility and Quality Estimates in University Classrooms

Electrical Switch Station #8

Construction progress update: May 24, 2024

This project restores the Old Art Gallery building for a new electrical switching station. The 1904 building was originally the campus powerhouse, supplying electricity and steam to the young Berkeley campus. As the campus grew, power demands exceeded its capacity and, in 1930, a new central plant opened in the southwest part of campus. In 1934, the former powerhouse building reopened as a gallery to display art and served this purpose until a new University Art Museum opened on Bancroft Way in 1970. The building was subsequently used for storage for more than 50 years.

In restoring and structurally improving the Old Art Gallery building to house the new Switch Station #8, the small brick building that began its storied life as a powerhouse more than 100 years ago will become a key component in UC Berkeley’s 100% clean energy future.

IEEE TV: Overview of UC Berkely Resistance Grounded Campus Power System

Campus Bulk Electrical Distribution

High Voltage Electric Service

Pacific Gas & Electric: Electric Service Requirements (TD-7001M) 2022-2023″Greenbook Manual”

Athletics facilities upgrades: $390 Million

Program Title Page

OSU was founded in 1890 as Oklahoma Agricultural and Mechanical College under the Morrill Land Grant Act of 1862 set in motion by President Abraham Lincoln. It has approximately 30,000 students across 1500 acres with 400 buildings. Its athletic department runs an operating budget of about $100 million.

Facilities Management

Standards Oklahoma

Orange Crush Couples

Basement building science

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George W. Bush Presidential Library and Museum

The George W. Bush Presidential Library and Museum, located on the campus of Southern Methodist University in Dallas, Texas, was designed by architect Robert A.M. Stern. The library was dedicated on April 25, 2013, and it serves as the official library and museum for the 43rd President of the United States, George W. Bush.

Robert A.M. Stern is a prominent American architect known for his work on various projects, including academic buildings, museums, and residential structures.  His design reflects a traditional and monumental architectural style that combines elements of classicism with contemporary design features. The library, located on the campus of Southern Methodist University in Dallas, Texas, was opened to the public in 2013.

Here are some features of the Stern design:

  1. Neo-Classical Style: Robert Stern’s design for the George W. Bush Library draws inspiration from classical architectural elements, particularly evident in the grandeur of its facade. The building features symmetrical lines, grand columns, and a sense of balance and proportion reminiscent of classical architecture.
  2. Materials: The exterior of the library is clad in Texas Cordova Cream limestone, which gives the building a timeless and elegant appearance. The use of this indigenous stone connects the library to its Texas roots while also conveying a sense of permanence and strength.
  3. Grand Entrance: The entrance to the library is marked by a grand portico supported by tall columns, evoking the imagery of ancient Greek and Roman temples. This creates a sense of importance and significance befitting a presidential library.
  4. Light-filled Interior: Inside the library, natural light floods the space through expansive windows and skylights, creating an inviting and uplifting atmosphere. The interior spaces are designed to be open and airy, with high ceilings and ample room for exhibits and displays.
  5. Landscape Design: Surrounding the library is a carefully landscaped campus that includes native Texas plantings, walking paths, and outdoor gathering spaces. The landscape design complements the architecture of the building and provides visitors with opportunities for reflection and relaxation.

We refer to him as American Vitruvius, given his influence on the architecture of so many educational settlements; reflecting classical elegance with contemporary functionality.

American Vitruvius

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