“It Had Better Be Tonight” Jazz Institute of Berlin
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2026-10-23 11:00 - 2026-10-23 12:00UNC Chapel Hill 1964
Students used to dress well pic.twitter.com/HbBjxiuA4r
β Postmanbloke π¦ πΊπ² (@4HLsartorialist) October 23, 2025
β Americana Aesthetic (@AmericanaAesth) October 24, 2025
https://standardsmichigan.com/school-uniforms/
https://standardsmichigan.com/style-2/
If you don't have an overcoat, buy one. Go into debt if you have to. pic.twitter.com/alxt4ig4zT
β Postmanbloke π¦ πΊπ² (@4HLsartorialist) October 23, 2025
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2026-10-23 11:00 - 2026-10-23 12:00you shall above all things be glad and young
For if you're young,whatever life you wear
it will become you;and if you are glad
whatever's living will yourself become...-- e.e. cummings
A walk through the status of best practice literature that sets the standard of care for safety and sustainability in the education facilities built for the performance arts.
Readings: The Seven Lively Arts (1924) Glibert Seldes (Oxford Academic review)
https://twitter.com/RoyalBalletSch/status/1651974785490878464?s=20
This Is Marshall McLuhan (1967)https://t.co/HiR9l0Nk9ahttps://t.co/FEzQc7Hs3y pic.twitter.com/C8xUfOdDZe
β Standards Michigan (@StandardsMich) November 10, 2023
https://youtu.be/DcXb9KWZtZU?si=2qeTsLy2bm1VAKiL
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2026-10-30 All dayFrankenstein: The Modern Prometheus 1888| Mrs. Shelly. George Routledge and Sons
https://open.spotify.com/track/0xxZY5C9xxij3D1HkzbnfC?si=0c583cd961504098
https://youtu.be/_DfW654p5O0?si=QbWTW3tv8dJGMKDghttps://youtu.be/6_tif-OZpuk
- βBeware; for I am fearless, and therefore powerful.β (Chapter 20 β Creature)
- βI ought to be thy Adam, but I am rather the fallen angel.β (Chapter 8 β Creature)
- βLearn from meβ¦ how dangerous is the acquirement of knowledge.β (Letter 4 β Walton)
- βIf I cannot inspire love, I will cause fear.β (Chapter 17 β Creature)
- βI was benevolent and good; misery made me a fiend.β (Chapter 16 β Creature)
- βLife, although it may only be an accumulation of anguish, is dear to me.β (Chapter 20 β Creature)
- βThe fallen angel becomes a malignant devil.β (Chapter 20 β Creature)
- βMan, how ignorant art thou in thy pride of wisdom!β (Chapter 23 β Victor)
- βSeek happiness in tranquillity and avoid ambition.β (Chapter 24 β Victor)
- I am malicious because I am miserable.β (Chapter 16 β Creature)
- βMy heart was fashioned to be susceptible of love and sympathy.β (Chapter 16 β Creature)
- βAll men hate the wretched.β (Chapter 10 β Creature)
- βYou are my creator, but I am your master.β (Chapter 20 β Creature)
https://youtu.be/fqV5jJ1y5yM?si=Vv-mJOKgvQ0AJCQj
https://youtu.be/THf1ULU0_cQ
https://youtu.be/vNuVifA7DSU
https://youtu.be/fqV5jJ1y5yM?si=Vv-mJOKgvQ0AJCQj
βThe object of education is to teach us to love what is beautiful.β
β Plato, The Republic pic.twitter.com/V1RnJOpk8Jβ π©πΆππΆππΎπΆ (@classicspilled) October 27, 2025
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2026-11-01 All dayβThe object of education is to teach us to love what is beautiful.β
β Plato, The Republic pic.twitter.com/V1RnJOpk8Jβ π©πΆππΆππΎπΆ (@classicspilled) October 27, 2025
βοΈπgmβ¦itβs Sunday, go do Sunday things. pic.twitter.com/Z8ZB4p63TZ
β MΓ‘rta (@UrUnpaidPundit) November 2, 2025
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2026-11-02 All day"Tradition and the Individual Talent" T.S.Eliot 1818
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American conservatives and liberals often disagree because they attach different meanings, priorities, and emotional associations to the same words. Political language evolves as society changes, and each movement seeks terminology that reflects its values and persuades others. Conservatives may emphasize continuity, tradition, and established definitions, while liberals may advocate revised language that reflects changing social norms or emerging perspectives and technologies.
As new terms gain acceptance and older meanings shift, debates arise over whether language is clarifying reality or reshaping it. These disagreements extend beyond vocabulary, reflecting deeper differences about history, identity, law, culture, and the proper role of institutions -- such as standards setting organizations -- in defining and communicating public values.
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Popular music is one of the chief ways that American vernacular English is created, refined, and shared. A successful song can introduce a phrase, metaphor, or rhythm of speech that quickly spreads beyond its original audience into everyday conversation. Because songs are repeated on radio, streaming services, at sporting events, and in schools, their lyrics become familiar across generations and regions. Memorable lines are quoted in casual conversation, advertising, journalism, and even political speeches, giving them cultural authority.
Songwriters pick up on the language of ordinary people while expressing it with economy, wit, and emotional force.Β As a result, lyrics preserve regional expressions, technical domains, idioms, thus reshaping older ones into forms that feel fresh and memorable. Over time, the most enduring lyrics become part of the nation's shared vocabulary, enriching American vernacular English by providing common expressions, cultural references, and memorable turns of phrase that unite speakers from diverse backgrounds.

