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Robie House

“The mother art is architecture. Without an architecture of our own,

we have no soul of our own civilization.”

Frank Lloyd Wright

 

 

 

 

 

 

 

 

 

 

 

Prairie School Architecture

University of Chicago Architectural Studies

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Frank Lloyd Trust

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Robie House is maintained and operated by the Frank Lloyd Wright Trust, a nonprofit organization dedicated to preserving the works of Frank Lloyd Wright. The trust focuses on the restoration, preservation, and education related to Wright’s architectural legacy. The Robie House, located in the Hyde Park neighborhood of Chicago, is one of the trust’s key properties.

Building codes for houses and museums may have some similarities but also key differences due to the distinct functions and occupancy types. Building codes are typically established to ensure the safety, health, and general welfare of the occupants and the public. While some requirements may be consistent, the specific regulations can vary based on the use and characteristics of the building. Here are some general considerations for how building codes might differ between houses and museums:

  1. Occupancy Type: The primary factor that influences building codes is the occupancy type. Residential houses are generally classified as Group R (Residential), while museums might fall under Group A (Assembly) or Group B (Business). Each occupancy group has specific requirements related to fire safety, egress, accessibility, and structural integrity.
  2. Fire Safety: Museums often house valuable artifacts, and fire safety is a critical concern. Museums may have more stringent fire protection measures, such as fire suppression systems, fire-resistant construction materials, and specialized storage requirements for certain materials. Residential homes also have fire safety requirements but may not have the same level of protection as cultural institutions.
  3. Accessibility: Museums, as public buildings, are usually subject to more stringent accessibility requirements to ensure that people with disabilities can navigate the space. This includes features like ramps, elevators, and accessible restrooms. Residential buildings have accessibility requirements as well, but they are typically less extensive compared to public spaces.
  4. Structural Requirements: Museums may have specialized structural requirements to support the weight of exhibits, particularly for large and heavy artifacts. Residential homes, while still subject to structural codes, may not have the same load-bearing considerations unless they incorporate unique features like extensive libraries or art collections.
  5. Zoning and Land Use: The location and zoning regulations can also impact both houses and museums differently. Museums might be subject to additional zoning requirements related to cultural institutions, parking, and public access.
  6. Energy Efficiency: Both residential and commercial buildings are subject to energy efficiency codes, but the specific requirements may differ. Commercial buildings, including museums, might have more extensive requirements for HVAC systems, lighting, and insulation.

International Residential Code


Illinois

 

Piping Hot Takes

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Coffee Lab

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Oak Park High School | $102 million

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The University Campus As A Designed Work and an Artefact of Cultural Heritage

The University Campus in the United States—As a Designed Work to Produce Knowledge; and as an Artefact of Cultural Heritage

Paul Hardin Kapp
School of Architecture, University of Illinois at Urbana-Champaign, Illinois, United States

 

ABSTRACT: The university campus in the United States is a unique architectural and landscape architecture typology. Nothing like it existed until Harvard University was established in 1638. Invented during in the 17th century by the American colonists and later developed during the American Industrial Revolution, the American campus is a community devoted to teaching and generating knowledge. It can be urban, suburban, and/or rural in form and its planning directly correlates with a university’s research mission and the pedagogy of the American university system. Its buildings and landscapes are embedded with iconography, which the founding builders used to convey their values to future generations.

This paper presents the history of how this designed work first emerged in American society and then evolved in ways that responded to changes that occurred in America. At the end of the 20th century, universities conserved parts of them as cultural heritage monuments. Originally, the university campus was built to disseminate a classical education, but later, the campus was built for technical and agricultural education. By the beginning of the 20th century, professional education and sport changed its architecture and landscape. The paper briely discusses that while it has inspired how universities are built to teach and generate knowledge throughout the world. It concludes by reairming its value to cultural heritage and that it should be conserved.

Illinois

BrewBike

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North Park University Lake County

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Lazy Poverty in the American South

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Anscombe’s Quartet

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