“It is impolite to make fun of other people’s religion.
If you cannot persuade a population to buy into your oligarchic ambitions
then turn those ambitions into a religion.”
— Michael A. Anthony, P.E.
University of Michigan, ’83 and ’88 (Retired)
A conversation with Bjorn Lomborg, a visiting fellow at the Hoover Institution, the president of the Copenhagen Consensus Center, and one of the foremost climate experts in the world today. His new book — “False Alarm: How Climate Change Panic Costs Us Trillions, Hurts the Poor, and Fails to Fix the Planet” — is an argument for treating climate as a serious problem but not an extinction-level event requiring such severe and drastic steps as rewiring a large part of the culture and the economy.
The alarmist reddening of weather maps is a perfect visualisation of how 5th generational warfare works. We’re dealing with an information war and the battlefield is our mind. @RWMaloneMDpic.twitter.com/nTBv5yhYbS
The World Soil Museum hosts a range of educational programs and workshops for students, researchers, and other visitors who are interested in learning more about soil science. These programs cover topics such as soil classification, soil management, and soil conservation, and they are designed to help people understand the vital role that soils play in supporting agriculture, ecosystems, and human societies around the world.
Northern Kentucky University officials broke ground on an expansion of the Dorothy Westerman Herrmann Science Center in a ceremony at the Highland Heights campus on Thursday.https://t.co/Qecc3Lfutt#NorseUppic.twitter.com/ggVpoIAxLa
‘O God Beyond All Praising’ was sung at Winston Churchill’s funeral on January 30, 1965, to the tune Thaxted by Gustav Holst. The hymn, with lyrics by Michael Perry, uses the same melody as ‘I Vow to Thee, My Country’, which was also associated with Churchill’s funeral, contributing to its patriotic resonance.
The founding of many education communities is inspired by faith communities. In many of them the place of worship was the very first building. College and university chapels are central places of worship for students, staff and faculty, and provide a space for solitude and reflection. A place for feeling at home in the world.
There are several hundred technical standards, or parts of standards, that govern how churches and chapels are made safe and sustainable. Owing to innovations in construction, operation and management methods, those standards move, ever so slightly, on a near-daily basis. They are highly interdependent; confounded by county-level adaptations; and impossible to harmonize by adoption cycle. That movement tracked here as best we can within the limit of our resources and priorities. That’s why it’s best to simply click into our daily colloquia if you have a question or need guidance.
Today is the Feast of Corpus Christi.
The 13th century Eucharistic chant of Ave verum corpus was set to music by Mozart in 1791 to be sung especially to celebrate the feast day.
The image criteria of our WordPress theme does not permit many images of college and university chapels to be shown fully-dimensioned on sliders or widget galleries. We reproduce a few of the outsized images here and leave the complexities of financing, designing, building and maintaining of them in a safe and sustainable manner for another day. CLICK HERE for the links to our Sacred Space Standards workspace.
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“Thine Be the Glory” (originally “À toi la gloire” in French) is a Christian hymn written by Swiss pastor and hymnwriter Edmond Louis Budry in 1884. The hymn was composed to celebrate the Resurrection of Jesus Christ, making it particularly associated with Easter. Budry, a minister in the Reformed Church of Vevey, Switzerland, wrote the text in French, inspired by the triumphant and victorious nature of Christ’s resurrection.
The tune commonly used for the hymn is adapted from a piece in George Frideric Handel’s oratorio Judas Maccabaeus (1747), specifically the chorus “See, the Conqu’ring Hero Comes.” This lively and majestic melody was arranged for the hymn by 1885, when the text and tune were first published together in the Swiss hymnal L’Organiste. The English translation, which begins “Thine be the glory, risen, conqu’ring Son,” was made by Richard Birch Hoyle in 1923, enabling the hymn to gain widespread popularity in English-speaking congregations.
The hymn’s text draws heavily on biblical themes, particularly from the New Testament accounts of the Resurrection (e.g., Matthew 28, 1 Corinthians 15). It emphasizes Christ’s victory over death, the hope of eternal life, and the call for believers to offer praise and glory to God.
Thine be the glory, risen, conquering Son;
endless is the victory, thou o’er death hast won;
angels in bright raiment rolled the stone away,
kept the folded grave clothes where thy body lay.
Refrain:
Thine be the glory, risen conquering Son,
Endless is the vict’ry, thou o’er death hast won.
Lo! Jesus meets us, risen from the tomb;
Lovingly he greets us, scatters fear and gloom;
let the Church with gladness, hymns of triumph sing;
for her Lord now liveth, death hath lost its sting.
No more we doubt thee, glorious Prince of life;
life is naught without thee; aid us in our strife;
make us more than conquerors, through thy deathless love:
bring us safe through Jordan to thy home above.
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New update alert! The 2022 update to the Trademark Assignment Dataset is now available online. Find 1.29 million trademark assignments, involving 2.28 million unique trademark properties issued by the USPTO between March 1952 and January 2023: https://t.co/njrDAbSpwBpic.twitter.com/GkAXrHoQ9T