Ordos for the Traditional Latin Mass
“We need the sense of the sacred, and the sense that things transcend our grasp.
We need to know that we are dependent on others,
and that the condition of our existence is the existence of others.”
— Sir Roger Scruton
The founding of many education communities is inspired by faith communities. In many of them the place of worship was the very first building. College and university chapels are central places of worship for students, staff and faculty, and provide a space for solitude and reflection. A place for feeling at home in the world.
International Building Code | Section 303.4 Assembly Group A-3
There are several hundred technical standards, or parts of standards, that govern how churches and chapels are made safe and sustainable. Owing to innovations in construction, operation and management methods, those standards move, ever so slightly, on a near-daily basis. They are highly interdependent; confounded by county-level adaptations; and impossible to harmonize by adoption cycle. That movement tracked here as best we can within the limit of our resources and priorities. That’s why it’s best to simply click into our daily colloquia if you have a question or need guidance.
Today is the Feast of Corpus Christi.
The 13th century Eucharistic chant of Ave verum corpus was set to music by Mozart in 1791 to be sung especially to celebrate the feast day.
Here I sing it in the historic chapel of Launde Abbey. #History pic.twitter.com/frkUFkPHVj
— Katie Marshall (@KatieHistory) June 11, 2023
Maps of Meaning: The Architecture of Belief | Jordan Peterson, Douglas Murray, Sam Harris
The image criteria of our WordPress theme does not permit many images of college and university chapels to be shown fully-dimensioned on sliders or widget galleries. We reproduce a few of the outsized images here and leave the complexities of financing, designing, building and maintaining of them in a safe and sustainable manner for another day. CLICK HERE for the links to our Sacred Space Standards workspace.
Click on any image for author attribution, photo credit or other information*.
In the sun-dappled chapel, all 155 new families were welcomed to the start of their Denstone journey. #ItStartsHere pic.twitter.com/veefqSVBGG
— Head | Denstone College (@DenstoneHead) September 3, 2023
I believe in Christianity as I believe that the sun has risen:
not only because I see it, but because by it I see everything else.
— C.S. Lewis
The “Dark Ages” produced the most divine vessels of light ever built.
Sainte-Chapelle:pic.twitter.com/B2lPLtWEVx
— Culture Critic (@Culture_Crit) February 12, 2024
Sainte-Chapelle:pic.twitter.com/B2lPLtWEVx
— Culture Critic (@Culture_Crit) February 12, 2024
Christ’s Chapel | Hillsdale College, Michigan
St. Ignatius Church | University of San Francisco
More coming.
*404 ERRORS and Page Not Found messages are common as webmasters move content.
More
CLICK HERE for bibliography
“You invent a story, and then the story invents you.”
— Umberto Eco’s Foucault’s Pendulum
Università degli Studi di Trieste
Truth as Glorious Adventure | Douglas Murray & Jordan Peterson
The lyrics were originally written in German by poet Matthias Claudius in 1782 as part of a larger work titled “Paul Erdmanns Fest” which reflects an appreciation for the agricultural cycle. The hymn was later translated into English by Jane Montgomery Campbell in 1861. The melody most commonly associated with the hymn is a traditional German tune, adapted by Johann Abraham Peter Schulz.
The hymn expresses gratitude for the earth’s bounty and acknowledges God as the ultimate provider of all good things. Its verses celebrate the act of sowing and reaping, emphasizing the cooperation between human effort and divine blessing. “We Plow the Fields and Scatter” has become a staple in Christian liturgy, particularly during harvest celebrations and Thanksgiving services, symbolizing a collective acknowledgment of and thanks for God’s abundant gifts.
“Believe Me, If All Those Endearing Young Charms” is a popular Irish folk song with lyrics written by the Irish poet Thomas Moore. It was first published in 1808 as part of a collection of Moore’s works called “Irish Melodies.” The lyrics of the song are based on a poem by the Irish poet Anne Boleyn (c. 1747–1801).
The melody is traditional Irish, and it is often performed as a slow air or a ballad. The song expresses themes of love, fidelity, and the enduring nature of true affection. Over the years, it has been recorded by many artists and remains a beloved classic in the folk music repertoire.
Abide with me; fast falls the eventide;
The darkness deepens; Lord with me abide.
When other helpers fail and comforts flee,
Help of the helpless, O abide with me.
Swift to its close ebbs out life’s little day;
Earth’s joys grow dim; its glories pass away;
Change and decay in all around I see;
O Thou who changest not, abide with me.
Not a brief glance I beg, a passing word,
But as Thou dwell’st with Thy disciples, Lord,
Familiar, condescending, patient, free.
Come not to sojourn, but abide with me.
Come not in terror, as the King of kings,
But kind and good, with healing in Thy wings;
Tears for all woes, a heart for every plea.
Come, Friend of sinners, thus abide with me.
Thou on my head in early youth didst smile,
And though rebellious and perverse meanwhile,
Thou hast not left me, oft as I left Thee.
On to the close, O Lord, abide with me.
I need Thy presence every passing hour.
What but Thy grace can foil the tempter’s power?
Who, like Thyself, my guide and stay can be?
Through cloud and sunshine, Lord, abide with me.
I fear no foe, with Thee at hand to bless;
Ills have no weight, and tears no bitterness.
Where is death’s sting? Where, grave, thy victory?
I triumph still, if Thou abide with me.
Hold Thou Thy cross before my closing eyes;
Shine through the gloom and point me to the skies.
Heaven’s morning breaks, and earth’s vain shadows flee;
In life, in death, O Lord, abide with me.
History of Western Civilization Told Through the Acoustics of its Worship Spaces
“The ideal architect should be a man of letters, a skillful draftsman, a mathematician,
familiar with historical studies, a diligent student of philosophy, acquainted with music,
not ignorant of medicine, learned in the responses of jurisconsults,
familiar with astronomy and astronomical calculations.”
Duncan G. Stroik is a practicing architect, author, and Professor of Architecture at the University of Notre Dame specializing in religious and classical architecture. Gathered here are images from Christ Chapel, Hillsdale College Michigan. His award-winning work includes the Our Lady of the Most Holy Trinity Chapel in Santa Paula, California, the Shrine of Our Lady of Guadalupe in LaCrosse, Wisconsin, and the Cathedral of Saint Joseph in Sioux Falls, South Dakota.
A frequent lecturer on sacred architecture and the classical tradition, Stroik authored The Church Building as a Sacred Place: Beauty, Transcendence and the Eternal and is the founding editor of Sacred Architecture Journal. He is a graduate of the University of Virginia and the Yale University School of Architecture. Professor Stroik is the 2016 winner of the Arthur Ross Award for Architecture. In 2019, he was appointed to the U.S. Commission of Fine Arts.
New update alert! The 2022 update to the Trademark Assignment Dataset is now available online. Find 1.29 million trademark assignments, involving 2.28 million unique trademark properties issued by the USPTO between March 1952 and January 2023: https://t.co/njrDAbSpwB pic.twitter.com/GkAXrHoQ9T
— USPTO (@uspto) July 13, 2023
Standards Michigan Group, LLC
2723 South State Street | Suite 150
Ann Arbor, MI 48104 USA
888-746-3670