The term “podcast” is a combination of “iPod,” Apple’s portable media player, and “broadcast.” It originated in the early 2000s when individuals began creating audio content specifically designed for download and playback on portable media players, including the iPod. Over time, the concept has evolved, and podcasts are now a popular and diverse form of digital media covering a wide range of topics, including news, education, entertainment, and more. The key feature of a podcast is its on-demand nature, allowing listeners to access content at their convenience.
“Non c’è fine. Non c’è inizio.
C’è solo l’infinita passione della vita. “
–Federico Fellini
Education communities provide a locus for lively art production, enjoyment and instruction. It is both a consumer and producer; with the expansion of massive open online curricula drawing from the visual arts of cinematography.
The International Organization for Standardization administers leading practice discovery and promulgation of the standards in these enterprises through Technical Committee 36. From the ISO/TC 36 prospectus:
Standardization of definitions, dimensions, methods of measurement and test, and performance characteristics relating to materials and apparatus used in silent and sound motion picture photography; in sound recording and reproduction related thereto; in the installation and characteristics of projection and sound reproduction equipment; in laboratory work; and in standards relating to sound and picture films used in television.
The American National Standards Institute is the ISO TC/36 Secretariat and the Society of Motion Picture and Television Engineers (SMPTE) is the US Technical Advisory Group Administrator (US TAG). We find SCTE present in safety and sustainability standards settings forums in many facility types in the education industry. It provides expertise to the Institute of Electrical and Electronic Engineers, the National Fire Protection Association, and the International Code Council, among others.
As commenting opportunities that are relevant to the US education industry present themselves, we will identify them here. As data from the US Bureau of Labor Statistics indicates, the demand for skill in this discipline is accelerating; with the education industry itself as a large consumer. We encourage students, faculty and staff to communicate directly with Mr. Thomas Bause Mason at SCTE, 3 Barker Avenue, Fifth Floor, White Plains, ny 10601, Phone: (914) 761-1100, Email: [email protected]. Educational institutions in other nations should contact their national representative to ISO TC/36
We sweep through all international standards that affect the education industry every nation. The time and date of our next teleconference on international standards is shown on our CALENDAR.
Category: Academics, Arts & Entertainment Facilities, Electrical, Telecommunication
Contact: Mike Anthony, Sanne Clare Anthony, Jim Harvey, Richard Robben
“A Prairie Home Companion” is a famous radio variety show created and hosted by Garrison Keillor. The show was known for its mix of humor, music, and storytelling and was broadcast from various venues across the United States. The show often featured live performances and music from various artists and was a cultural staple, particularly in the Midwest.
While Garrison Keillor is best known for his association with “A Prairie Home Companion,” his ties to Macalester College are an important part of his personal and professional history. His experiences at Macalester likely influenced his career in radio and entertainment, and the college takes pride in his achievements as an alumnus.
“What art is, in reality, is this missing link, not the links which exist.
It’s not what you see that is art; art is the gap”
— Marcel Duchamp
Today we refresh our understanding of the literature that guides the safety and sustainability goals of lively art and special event setting on the #WiseCampus. Consortia have evolved quickly in recent years, leading and lagging changes in the content creation and delivery domain. With this evolution a professional discipline has emerged that requires training and certification in the electrotechnologies that contribute to “event safety”; among them:
ASHRAE International
Standard 62.1: This standard establishes minimum ventilation rates and indoor air quality requirements for commercial buildings, including theaters and auditoriums.
Standard 55: This standard specifies thermal comfort conditions for occupants in indoor environments, which can have an impact on air quality.
Audio Visual and Experience Association
Entertainment Services and Technology Association
International Code Council
International Building Code: Section 303.2 Assembly Group A-1
Illumination Engineering Society
RP-16-17 Lighting for Theatrical Productions: This standard provides guidance on the design and implementation of lighting systems for theatrical productions. It includes information on the use of color, light direction, and light intensity to create different moods and effects.
RP-30-15 Recommended Practice for the Design of Theatres and Auditoriums: This standard provides guidance on the design of theaters and auditoriums, including lighting systems. It covers topics such as seating layout, stage design, and acoustics, as well as lighting design considerations.
DG-24-19 Design Guide for Color and Illumination: This guide provides information on the use of color in lighting design, including color temperature, color rendering, and color mixing. It is relevant to theater lighting design as well as other applications.
National Center for Spectator Sports Safety and Security
National Fire Protection Association
Life Safety Code
National Electrical Code
Articles 518-540: Arenas, Lecture Halls & Theaters
Society of Motion Picture Technology Engineers
Professional Lighting and Sound Association
Dance and Athletic Floor Product Standards: ASTM F2118, EN 14904, DIN 18032-2
Incumbent standards-setting organizations such as ASHRAE, ASTM, ICC, IEEE, NFPA have also discovered, integrated and promulgated event safety and sustainability concepts into their catalog of best practice titles; many already incorporated by reference into public safety law. We explore relevant research on crowd management and spectator safety.
The circumstances of the pandemic has made “re-rationalization” of education community spaces an urgent priority. Today at 15:00 UTC we pick through the concepts in play. Use the login credentials at the upper right of our home page.
More
International Code Council (N.B. Changes to its Code Development Process)
International Building Code: Entertainment Occupancies
Section 410: Stages, Platforms and Technical Production Areas
National Electrical Code: Articles 518 – 540
Code-Making Panel 15 (NEC-P15): Public Input Report 10/1/2020
Code-Making Panel 15 (NEC-P15): Public Comment Report 11/18/2021
ASHRAE 62.1 Ventilation for Acceptable Indoor Air Quality
Princeton University: Set Design & Construction
Building the Virtual Stage: A System for Enabling Mixed Reality Theatre
University of California: Special Effects Safety and Loss Prevention
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With illumination technology an essential part of the safety of audiences and subjects, and the quality and character of art and entertainment events, we follow best practice titles published by the Illumination Engineering Society; its library linked below:
Anyone who has ever purchased a ticket for a Broadway (New York) performance event, may understand (in dollar terms), the complexity of these events and the transfer cost to design, build, operate and maintain the complex electrotechnologies that make them successful. We see many changes to the firmware governing event technologies crossing our radar.
The IES has a number of titles of a general nature that are consulted routinely in education communities; among them the American National Standard Practice on Lighting for Educational Facilities. We find them incorporated by reference into design guidelines and construction contracts; especially The Lighting Handbook, 10th Edition.
Our interest today lies in IES DG-20 Stage Lighting – A Guide to Planning of Theatres and Auditoriums. updated to add content for stage lighting controls; interfacing with networks, house light design, control, and performance including emergency lighting, stage worklight and cue light systems; LED and automated stage lighting instruments; power distribution for stage and house lighting systems; and future proofing systems. A related title — IES RP-41 Recommended Practice: Lighting Theater, Auditorium, and Worship Spaces — also noteworthy for its applicability in other cultural occupancies in education communities
There are no live consultations in the IES bibliography for either of these titles at the moment. When there are you may find them at the link below.
IES Standards Open for Public Review
We always encourage our colleagues to participate directly in the IES standards development process. CLICK HERE to get started. You may also communicate directly with IES staff about securing the review drafts (Contact Albert Suen, [email protected]).
Because of the ubiquity of lighting technology IES titles are on the standing agenda of several of our periodic teleconferences — Power, Healthcare, Sport and Lively Art colloquia. We collaborate closely with experts on the IEEE Education & Healthcare Facilities Committee. See our CALENDAR for the next online meeting; open to everyone.
Issue: [14-110]
Category: Electrical, Arts & Entertainment, Lighting
Colleagues: Mike Anthony, Jim Harvey, Kane Howard
With a @UCIrvine @UCIEngineering faculty delegation to the @PacificSymphony to discuss our joint new instrument competition. The details are still being worked out but needless to say, it will be epic! pic.twitter.com/dvT4Mfp9xU
— UCI Engineering Dean (@UCIEngineerDean) September 25, 2023
LEARN MORE:
Pennsylvania State University Engineering Student Thesis on Auditorium Lighting
New update alert! The 2022 update to the Trademark Assignment Dataset is now available online. Find 1.29 million trademark assignments, involving 2.28 million unique trademark properties issued by the USPTO between March 1952 and January 2023: https://t.co/njrDAbSpwB pic.twitter.com/GkAXrHoQ9T
— USPTO (@uspto) July 13, 2023
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