“Tradition is the democracy of the dead”
History of Western Civilization Told Through the Acoustics of its Worship Spaces
Maurice Duruflé was a French composer and organist known for his contributions to sacred music, particularly choral and organ compositions:
- Requiem, Op. 9: Duruflé’s “Requiem” is his most renowned composition. It incorporates the Gregorian Chant melodies for the “Dies Irae” and “In Paradisum” sections. While not hymns in the traditional sense, these chants are significant components of the Catholic liturgy.
- Four Motets on Gregorian Themes, Op. 10: In this choral composition, Duruflé takes inspiration from Gregorian Chant and includes pieces such as “Ubi caritas et amor” and “Tota pulchra es.” These are not hymns but rather choral settings of Latin liturgical texts.
- Fugue on the Theme of the “Carillon des Heures de la Cathédrale de Soissons”: This composition for organ is based on a hymn-like theme, although it is not a hymn in the traditional sense. It showcases Duruflé’s skill as an organist and composer.
- Prelude on the Introit of the Epiphany (for organ): Duruflé composed this piece for organ, incorporating the Gregorian Chant “O Lux Beata Trinitas,” which is associated with the Epiphany in the liturgical calendar.
