Because electrotechnology changes continually, definitions (vocabulary) in its best practice literature changes continually; not unlike any language on earth that adapts to the moment and place.
The changes reflect changes in technology or changes in how the technology works in practice; even how the manufacturers create adaptations to field conditions by combining functions. Any smart electrical component has a digital language embedded in it, for example.
Consider the 2023 National Electrical Code. Apart from many others the NEC will contain a major change to Article 100 (Definitions); the subject of elevated debate over the past three years.
When we refer “language” we must distinguish between formal language, informal language, colloquial language and dialect which may differ the language spoken, language written at the office and language used on the job site. “Terms of art”
Are these terms (or, “terms of art”) best understood in context (upstream articles in Chapters 4 through 8) — or should they be adjudicated by the 14 Principals of Code Making Panel 1? The answer will arrive in the fullness of time. Many changes to the National Electrical Code require more than one cycle to stabilize.
Code Making Panel 1 has always been the heaviest of all NEC panels. As explained n our ABOUT, the University of Michigan held a vote in CMP-1 for 20+ years (11 revision cycles) before moving to the healthcare facilities committee for the IEEE Education & Healthcare Facilities Committee. Standards Michigan continues its involvement on behalf of the US education facility industry — the second largest building construction market. There is no other pure user-interest voice on any technical committee; although in some cases consulting companies are retained for special purposes.
To serve the purpose of making NFPA 70 more “useable” we respect the Standards Council decision to make this change if it contributes to the viability of the NFPA business model. We get to say this because no other trade association comes close to having as enduring and as strong a voice: NFPA stands above all other US-based SDO’s in fairness and consideration of its constituency. The electrical safety community in the United States is a mighty tough crowd.
If the change does not work, or work well enough, nothing should prohibit reversing the trend toward “re-centralizing” — or “de-centralizing” the definitions.
Public comment on the First Draft of the 2026 Edition will be received until August 28, 2024.
Technical Committees meet during the last half of October to respond to public comment on the First Draft of the 2026 National Electrical Code.
The Standards Coordination Office of the National Institute of Standards and Technology conducts standards-related programs, and provides knowledge and services that strengthen the U.S. economy and improve the quality of life. Its goal is to equip U.S. industry with the standards-related tools and information necessary to effectively compete in the global marketplace.
Every year it awards grants to colleges and universities through its Standards Services Curricula Cooperative Agreement Program to provide financial assistance to support curriculum development for the undergraduate and/or graduate level. These cooperative agreements support the integration of standards and standardization information and content into seminars, courses, and learning resources. The recipients will work with NIST to strengthen education and learning about standards and standardization.
The 2019 grant cycle will require application submissions beforeApril 30, 2019 (contingent upon normal operation of the Department of Commerce). Specifics about the deadline will be posted on the NIST and ANSI websites. We will pass on those specifics as soon as they are known.
The winners of the 2018 grant cycle are Bowling Green State University, Michigan State University, Oklahoma State University, and Texas A&M University. (Click here)
The University of Michigan received an award during last year’s grant cycle (2017). An overview of the curriculum — human factors in automotive standards — is linked below:
Information about applying for the next grant cycle is available at this link (Click here) and also by communicating with Ms. Mary Jo DiBernardo (301-975-5503; maryjo.dibernardo@nist.gov)
LEARN MORE:
Click here for link to the previous year announcement.
They’re stingier now, the rowdy boys, in pitching stones
that rattle your shuttered windows;
they don’t deprive you of your sleep; and hugging
the threshold, the door stays shut
that used to swing so easily
on its hinges. Less and less do you hear now:
“While I, who am yours, am dying all night long,
you, Lydia, are sleeping?”
You will age, in turn, and, spurned in the lonely alley,
you’ll wail at the arrogance of paramours
while the rising Thracian wind rages
in the dark of the moon.
Then you’ll feel how the blazing heat
and lust that maddens mares
will rage around your ulcered liver,
not without a sob
that excited boys take more delight
in green ivy than drab myrtle,
and dedicate sere leaves to the east wind,
winter’s companion.
Randall Thompson’s “Frostiana” is a choral cycle based on the poems of Robert Frost. The cycle consists of settings for mixed chorus and piano, and it was premiered in 1959. “Frostiana” was commissioned to celebrate the bicentennial of the town of Amherst, Massachusetts, and it features seven of Frost’s poems set to music by Thompson.
“Stopping by Woods on a Snowy Evening” is one of the poems included in the “Frostiana” cycle. The composition captures the reflective and contemplative mood of Frost’s poem, where the narrator pauses to admire the beauty of a snowy evening in a quiet forest. Randall Thompson’s musical setting adds another layer to Frost’s words, enhancing the emotional impact of the poem.
Thompson’s approach in “Frostiana” is characterized by its accessibility and tonal clarity. His settings aim to convey the meaning and atmosphere of Frost’s poetry through the expressive power of choral music. The entire “Frostiana” cycle is a celebration of both Thompson’s skill as a composer and Frost’s enduring contribution to American literature.
“Stopping by Woods on a Snowy Evening”
By Robert Frost
This is one of my favourite English poems. It is vivid, melancholic, and wistful. The imagery and the final lines have stuck with me for years.
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