A big misconception about blindness is that a blind person only sees pitch black.
In reality, blindness is a spectrum. This is a series of examples of how differently visually impaired people see.
[📹 Blind on the Move]pic.twitter.com/EcljDkNDfN
— Massimo (@Rainmaker1973) June 30, 2024
In Irish author Jonathan Swift’s 1726 satire — “Gulliver’s Travels” — Lagado is the capital of Balnibarbi whose king had invested a great fortune on building an “Academy of Projectors” so that it shall contribute to the nation’s development through research.
Gulliver describes pointless experiments conducted there — trying to change human excretion back into food, trying to extract sunbeams out of cucumbers, teaching mathematics to pupils by writing propositions on wafers and consuming them.
“Gulliver’s Travels” 1939 Production | (Max Fleischer (1883 – 1972)
“None are so blind as those who refuse to see” is a proverbial expression that has been used by many authors and public figures throughout history. The exact origin of the phrase is unknown, but it has been attributed to various sources, including the Bible, where Jesus says, “For judgment I am come into this world, that they which see not might see; and that they which see might be made blind” (John 9:39, King James Version).
The phrase has also been attributed to Jonathan Swift, an Irish author and satirist, who wrote in his 1738 work,
“Polite Conversation”: “Blind, sir? I see every day where Lord M– goes upon the bench without his bag, and you tell me he is not blind?”.
However, it is possible that the phrase existed prior to Swift and was simply popularized by him.
Internet Archive: Gulliver’s Travels
Eric Weinstein: We need a scientific revolution
CSA Group: Product Certification & Standards Development
CSA Group Z243.200:92 (R2021) Canadian keyboard standard for the English and French languages
McGill Endowment Fund Annual Report 2023 | $1.9B
Historical Epistemology | Michel Foucault
Université McGill | Montréal Québec
Canadian Parliament Debate on Standards Incorporated by Reference
Canadian College
International Building Code Chapter 2: Definitions
International Electrotechnical Commission: Electropedia
Because electrotechnology changes continually, definitions (vocabulary) in its best practice literature changes continually; not unlike any language on earth that adapts to the moment and place.
The changes reflect changes in technology or changes in how the technology works in practice; even how the manufacturers create adaptations to field conditions by combining functions. Any smart electrical component has a digital language embedded in it, for example.
Consider the 2023 National Electrical Code. Apart from many others the NEC will contain a major change to Article 100 (Definitions); the subject of elevated debate over the past three years.
When we refer “language” we must distinguish between formal language, informal language, colloquial language and dialect which may differ the language spoken, language written at the office and language used on the job site. “Terms of art”
2026 National Electrical Code | CMP-1 Second Draft Report
FREE ACCESS: 2020 National Electrical Code (NFPA 70)
2023 NEC Public Input Report CMP-1 (868 pages)
2023 NEC Second Draft Public Comment Report (914 pages)
Are these terms (or, “terms of art”) best understood in context (upstream articles in Chapters 4 through 8) — or should they be adjudicated by the 14 Principals of Code Making Panel 1? The answer will arrive in the fullness of time. Many changes to the National Electrical Code require more than one cycle to stabilize.
Code Making Panel 1 has always been the heaviest of all NEC panels. As explained n our ABOUT, the University of Michigan held a vote in CMP-1 for 20+ years (11 revision cycles) before moving to the healthcare facilities committee for the IEEE Education & Healthcare Facilities Committee. Standards Michigan continues its involvement on behalf of the US education facility industry — the second largest building construction market. There is no other pure user-interest voice on any technical committee; although in some cases consulting companies are retained for special purposes.
To serve the purpose of making NFPA 70 more “useable” we respect the Standards Council decision to make this change if it contributes to the viability of the NFPA business model. We get to say this because no other trade association comes close to having as enduring and as strong a voice: NFPA stands above all other US-based SDO’s in fairness and consideration of its constituency. The electrical safety community in the United States is a mighty tough crowd.
If the change does not work, or work well enough, nothing should prohibit reversing the trend toward “re-centralizing” — or “de-centralizing” the definitions.
Public comment on the First Draft of the 2026 Edition will be received until August 28, 2024.
Technical Committees meet during the last half of October to respond to public comment on the First Draft of the 2026 National Electrical Code.
They’re stingier now, the rowdy boys, in pitching stones
that rattle your shuttered windows;
they don’t deprive you of your sleep; and hugging
the threshold, the door stays shut
that used to swing so easily
on its hinges. Less and less do you hear now:
“While I, who am yours, am dying all night long,
you, Lydia, are sleeping?”
You will age, in turn, and, spurned in the lonely alley,
you’ll wail at the arrogance of paramours
while the rising Thracian wind rages
in the dark of the moon.
Then you’ll feel how the blazing heat
and lust that maddens mares
will rage around your ulcered liver,
not without a sob
that excited boys take more delight
in green ivy than drab myrtle,
and dedicate sere leaves to the east wind,
winter’s companion.
23 BC | Rome
Randall Thompson’s “Frostiana” is a choral cycle based on the poems of Robert Frost. The cycle consists of settings for mixed chorus and piano, and it was premiered in 1959. “Frostiana” was commissioned to celebrate the bicentennial of the town of Amherst, Massachusetts, and it features seven of Frost’s poems set to music by Thompson.
“Stopping by Woods on a Snowy Evening” is one of the poems included in the “Frostiana” cycle. The composition captures the reflective and contemplative mood of Frost’s poem, where the narrator pauses to admire the beauty of a snowy evening in a quiet forest. Randall Thompson’s musical setting adds another layer to Frost’s words, enhancing the emotional impact of the poem.
Thompson’s approach in “Frostiana” is characterized by its accessibility and tonal clarity. His settings aim to convey the meaning and atmosphere of Frost’s poetry through the expressive power of choral music. The entire “Frostiana” cycle is a celebration of both Thompson’s skill as a composer and Frost’s enduring contribution to American literature.
“Stopping by Woods on a Snowy Evening”
By Robert FrostThis is one of my favourite English poems. It is vivid, melancholic, and wistful. The imagery and the final lines have stuck with me for years.
And miles to go before I sleep… pic.twitter.com/2ANM3CeTjQ
— Learn English with Alex (@AlexEngVid) November 25, 2023
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New update alert! The 2022 update to the Trademark Assignment Dataset is now available online. Find 1.29 million trademark assignments, involving 2.28 million unique trademark properties issued by the USPTO between March 1952 and January 2023: https://t.co/njrDAbSpwB pic.twitter.com/GkAXrHoQ9T
— USPTO (@uspto) July 13, 2023
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