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A Night in the Emergency Department
“Portrait of a Nurse from the Red Cross” 1915
Gabriel Émile Édouard Nicolet https://t.co/z0WiB6z8r0 pic.twitter.com/0ffD4iWW6N— Standards Michigan (@StandardsMich) May 4, 2022
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Elevators & Lifts
The first elevator in the United States was installed at Harvard University in 1874. It was not a passenger elevator as we typically think of today, but rather a freight elevator used to move heavy items within a building. The installation of this elevator marked an important development in building technology and transportation within multi-story structures. It was based on the design of Elisha Otis, who is famous for inventing the safety elevator with a safety brake system that prevents the elevator from falling if the hoisting cable fails. Otis’ innovation played a pivotal role in making elevators safe and practical for everyday use, leading to their widespread adoption in buildings around the world.
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Elevator design by the German engineer Konrad Kyeser (1405)
Education communities are stewards of 100’s of lifts, elevators and moving walks. At the University of Michigan, there are the better part of 1000 of them; with 19 of them in Michigan Stadium alone. The cost of building them — on the order of $50,000 to $150,000 per floor depending upon architectural styling — and the highly trained staff needed to operate, maintain and program interoperability software is another cost that requires attention. All building design and construction disciplines — architectural, mechanical and electrical have a hand in making this technology safe and sustainabile.
We start with international and nationally developed best practice literature and work our way to state level adaptations. Labor for this technology is heavily regulated.
Its a rarefied and crazy domain for the user-interest. Expertise is passionate about safety and idiosyncratic but needs to be given the life safety hazard. Today we review o pull together public consultation notices on relevant codes, standards and regulations today 11 AM/EDT.
Московский государственный университет имени
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NFPA 70 Article 620 Elevators, etc.
International Building Code Chapter 30: Elevators and Conveying Systems
Inside Higher Ed: Tragedy in an Elevator
The History of Elevators
The first recorded public use of an elevator was in 1743, in a private residence in France. It was created by a French scientist and inventor named Louis-François Dauprat. However, this early elevator was not used for public transportation or in a commercial building.
The first practical passenger elevator was invented by Elisha Graves Otis, an American industrialist and inventor, in 1852. The Otis elevator used a safety device known as a “safety brake” or “safety hoist,” which prevented the elevator from falling in case the hoisting cable broke at a five-story building in New York City in 1857, known as Haughwout Building.
This invention revolutionized vertical transportation, allowing for the construction of taller buildings and changing the way people live and work in urban areas.
The earliest installation of a passenger elevator in a university building in the United States was at the Massachusetts Institute of Technology. In 1861, Otis Brothers & Co., the company founded by Elisha Graves Otis, installed the first passenger elevator on a university campus in the Rogers Building at MIT. The Rogers Building was a three-story structure that housed laboratories, classrooms, and offices for faculty and students. The installation of the passenger elevator provided vertical transportation within the building, making it more convenient for people to move between floors.
This early installation marked an important milestone in the history of vertical transportation on college and university campuses, and it paved the way for the adoption of elevators in other educational institutions as they expanded in size and height over time.
“Cantique de Jean Racine” Gabriel Fauré.
Gabriel Fauré’s “Cantique de Jean Racine” is a choral work composed in 1865 when Fauré was 19. Written for a four-part choir, it’s a setting of a Latin text by the 17th-century French playwright Jean Racine, which reflects a deep, devotional tone. The text is a hymn of praise and supplication, asking for divine grace and mercy.
Fauré’s composition is noted for its lyrical beauty and sophisticated harmony, showcasing his early mastery of choral writing. The piece begins with a serene, flowing melody in the sopranos, which is then developed and harmonized throughout the choir. The work features lush, rich chords and a gentle, flowing rhythm, characteristic of Fauré’s style, blending simplicity with depth. Its mood is one of quiet contemplation and reverence, aligning with the text’s themes of divine worship and reflection.
New update alert! The 2022 update to the Trademark Assignment Dataset is now available online. Find 1.29 million trademark assignments, involving 2.28 million unique trademark properties issued by the USPTO between March 1952 and January 2023: https://t.co/njrDAbSpwB pic.twitter.com/GkAXrHoQ9T
— USPTO (@uspto) July 13, 2023
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