Category Archives: Lively Arts / Media

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Lively 200

Curtain for the Lviv Theatre of Opera and Ballet

 

“What art is, in reality, is this missing link,  not the links which exist.

It’s not what you see that is art; art is the gap”

— Marcel Duchamp

 

Today we refresh our understanding of the literature that guides the safety and sustainability goals of lively art and special event setting on the #WiseCampus.  Consortia have evolved quickly in recent years, leading and lagging changes in the content creation and delivery domain.  With this evolution a professional discipline has emerged that requires training and certification in the electrotechnologies that contribute to “event safety”; among them:

ASHRAE International

Standard 62.1: This standard establishes minimum ventilation rates and indoor air quality requirements for commercial buildings, including theaters and auditoriums.

Standard 55: This standard specifies thermal comfort conditions for occupants in indoor environments, which can have an impact on air quality.

Audio Engineering Society

Audio Visual and Experience Association

Entertainment Services and Technology Association

Event Safety Alliance

International Code Council

International Building Code: Section 303.2 Assembly Group A-1

Illumination Engineering Society

RP-16-17 Lighting for Theatrical Productions: This standard provides guidance on the design and implementation of lighting systems for theatrical productions. It includes information on the use of color, light direction, and light intensity to create different moods and effects.

RP-30-15 Recommended Practice for the Design of Theatres and Auditoriums: This standard provides guidance on the design of theaters and auditoriums, including lighting systems. It covers topics such as seating layout, stage design, and acoustics, as well as lighting design considerations.

DG-24-19 Design Guide for Color and Illumination: This guide provides information on the use of color in lighting design, including color temperature, color rendering, and color mixing. It is relevant to theater lighting design as well as other applications.

National Center for Spectator Sports Safety and Security

National Fire Protection Association

Life Safety Code

National Electrical Code

Articles 518-540: Arenas, Lecture Halls & Theaters

Society of Motion Picture Technology Engineers

Professional Lighting and Sound Association

Dance and Athletic Floor Product Standards: ASTM F2118, EN 14904, DIN 18032-2

Incumbent standards-setting organizations such as ASHRAE, ASTM, ICC, IEEE, NFPA have also discovered, integrated and promulgated event safety and sustainability concepts into their catalog of best practice titles; many already incorporated by reference into public safety law.   We explore relevant research on crowd management and spectator safety.

Planning and Managing Security for Major Special Events

The circumstances of the pandemic has made “re-rationalization” of education community spaces an urgent priority.   Today at 15:00 UTC we pick through the concepts in play.  Use the login credentials at the upper right of our home page.

More

International Code Council (N.B. Changes to its Code Development Process) 

International Building Code: Entertainment Occupancies

Section 410: Stages, Platforms and Technical Production Areas

National Electrical Code: Articles 518 – 540 

Code-Making Panel 15 (NEC-P15): Public Input Report 10/1/2020

Code-Making Panel 15 (NEC-P15): Public Comment Report  11/18/2021

ASHRAE 62.1 Ventilation for Acceptable Indoor Air Quality

Princeton University: Set Design & Construction

Building the Virtual Stage: A System for Enabling Mixed Reality Theatre

University of California: Special Effects Safety and Loss Prevention

University of San Francisco Special Effects Safety

Dance Floors v. Sports Floors

Finian’s Rainbow

“Finian’s Rainbow” is a musical (written by E.Y. Harburg – University of Michigan 1918) that tells the story of an Irishman named Finian McLonergan who comes to the United States with his daughter Sharon to bury a pot of gold stolen from a leprechaun. Finian believes that if he buries the gold in the soil of Fort Knox, it will grow and multiply, allowing him to live a life of luxury.

However, the town they settle in, Rainbow Valley, is owned by a racist senator named Billboard Rawkins, who wants to evict the sharecroppers living on the land. With the help of a local activist named Woody, Sharon and the sharecroppers team up to stop Rawkins’ eviction plans.

Meanwhile, Og, the leprechaun whose gold Finian stole, comes to America to get his gold back. Og meets and falls in love with Susan, the mute daughter of the sharecropper Woody, and realizes that he wants to stay in America with her.

The story deals with themes of racism, prejudice, and the American dream, and features memorable like “Old Devil Moon,” “How Are Things in Glocca Morra?” and “If This Isn’t Love.”

Lively Arts 300

Theatre: Lighting Design

Artificial lighting was first introduced to theater dramatic performance stages in the 17th century. The use of candles and oil lamps initially provided a means to illuminate the stage, allowing performances to take place in the evening and enhancing the visibility for both actors and the audience. Before this development, theatrical performances were typically held during daylight hours due to the reliance on natural light.

In the early 17th century, theaters in England began experimenting with various lighting techniques. Thomas Killigrew’s Theatre Royal, Drury Lane, in London, is often credited as one of the first theaters to use artificial lighting. The use of candles and later oil lamps evolved over time, leading to more sophisticated lighting setups as technology advanced.

The 18th and 19th centuries saw further innovations in stage lighting, including the use of gas lamps. Eventually, the introduction of electric lighting in the late 19th and early 20th centuries revolutionized stage lighting, providing theaters with a more reliable and controllable source of illumination. This allowed for greater creativity in the design and execution of lighting effects, contributing significantly to the overall theatrical experience.

Oklahoma City University

More

Stage Lighting 101 — Everything You Need to Know

Boston University: Theater, Lighting Design

Wayne State University: Lighting Design

Illumination 100

 

 

Audio/video, information & communication technology

Performance in the Bolshoi Theatre Theateraufführung im Moskauer Bolschoi-Theater (Chromolithographie)

Even before the pandemic, massive open online curriculum, continued growth of consumer demand for “content” and the expansion of college and universities cultural and entertainment activity, drove our interest in the technologies that make it possible to produce and deliver “content” from facilities that are safe and sustainable.

As covered in our other Lively colloquia there are about 20 accredited standards developers that claim some part of this domain, or expanding their charter to meet the demand for best practice titles.  To repeat: “Standards are the seed corn for compliance revenue.  They fertilize the land for litigation.”   These generally well-meaning organizations only invest in the administration of best practice discovery and promulgation if they see demand for conformance revenue in their future.

Education communities in every nation are also conformance organizations.

Cultural content discovery, creation and delivery depends heavily on electrotechnology.

The parent committee of the highest level of electrotechnology standardization in this domain world is International Electrotechnical Commission Technical Committee TC 108: Safety of electronic equipment within the field of audio/video, information technology and communication technology.   Safety first.  A committee with a similar sounding title, but a different scope is IEC TC 100 Audio, video and multimedia systems and equipment — the subject of a separate post*.

To paraphrase the IEC TC 108 Committee Scope Statement:

Horizontal safety function: Methods of measuring touch current and protective conductor current.  This includes, for various types of equipment, methods of measurement of touch current with regard to physiological effects and of protective conductor current for installation purposes. The methods of measurement consider both normal conditions and certain fault conditions.  Safety of equipment electrically connected to a telecommunication network

Group safety function:Audio, video and similar electronic apparatus – Safety requirements Audio/video, information and communication technology equipment and safety of remote power feeding.

Vancouver Film School

According to its Strategic Business Plan, the need for standardization in this technology shows up in unexpected places such as 3-dimensional printing and wearable smart devices; both of which are of interest to faculty, students and the staff that supports the physical infrastructure.

STRATEGIC BUSINESS PLAN

The home page for the IEC public commenting facility is linked below:

https://www.iec.ch/comment/

We generally refer action in global electrotechnology standards to any one of several IEEE Societies and collaborate with the IEEE Education & Healthcare Facilities Committee (IEEE E&H).  We also track and participate in the standards action of several trade associations that service some part of this space; all of whom are sensitive to the international electrotechnology standards action.  Colleges and universities with federally funded facilities may need to be attentive to Trade Agreement Act matters when acquiring equipment of this nature.

As of this posting there are no Committee Draft Vote (CDV) documents released by TC 108 seeking public comment but we include it in our periodic scan of best practice literature.  We generally refer to the tracking facility available with the IEEE E&H hosted on a University of Michigan server for educational purposes.  IEEE E&H meets 4 times monthly European and American time zones.

Università Cattolica del Sacro Cuore

 

We always encourage subject matter experts with front line experience planning, designing building, operating and maintaining these growing and complicated spaces.  We recommend US-based experts contact Tony Zertuche, Director, International Policy and General Secretary, USNC/IEC (tzertuche@ansi.org).

United States National Committee of the International Electrotechnical Commission (USNC/IEC)

We renew our understanding of electrotechnology standards for Lively Arts at least once a month.  See our CALENDAR.  The IEEE Education & Healthcare Facilities Committee meets online every other Tuesday in both Central European time American time zones.   Its meeting dates and login credentials are available on its home page.

Issue: [Various]

Category: Electrical, Infotech, Global, Lively Arts

Colleagues: Mike Anthony, Jim Harvey, Giuseppe Parise

Media production audio visual

 


* Related work runs through ISO Technical Committee 36 .

The “Groundhog Day” Effect

United States National Weather Service

 

Research Without Old Data and Old References

 

Background: The use of older data and references is becoming increasingly disfavored for publication. A myopic focus on newer research risks losing sight of important research questions already addressed by now-invisible older studies. This creates a ‘Groundhog Day’ effect as illustrated by the 1993 movie of this name in which the protagonist has to relive the same day (Groundhog Day) over and over and over within a world with no memory of it. This article examines the consequences of the recent preference for newer data and references in current publication practices and is intended to stimulate new consideration of the utility of selected older data and references for the advancement of scientific knowledge.

Methods: Examples from the literature are used to exemplify the value of older data and older references. To illustrate the recency of references published in original medical research articles in a selected sample of recent academic medical journals, original research articles were examined in recent issues in selected psychiatry, medicine, and surgery journals.

Results: The literature examined reflected this article’s initial assertion that journals are emphasizing the publication of research with newer data and more recent references.

Conclusions: The current valuation of newer data above older data fails to appreciate the fact that new data eventually become old, and that old data were once new. The bias demonstrated in arbitrary policies pertaining to older data and older references can be addressed by instituting comparable treatment of older and newer data and references.


Related:

ASTM International: Standard Practice for Calculating and Using Basic Statistics

Groundhog Day: Ancient Origins of a Modern Celebration (Library of Congress) 

IMSDb: “GroundHog Day” The Complete Script

Harvard Business Review: When the Groundhog Predicts an Early Spring, Investors Get Optimistic

Indiana University: Groundhog Day Probability in Perspective


Standards Pennsylvania

 

 

 

 

Cinematography

“Non c’è fine. Non c’è inizio.

C’è solo l’infinita passione della vita. “

–Federico Fellini

Education communities provide a locus for lively art production, enjoyment and instruction.   It is both a consumer and producer; with the expansion of massive open online curricula drawing from the visual arts of cinematography.

The International Organization for Standardization administers leading practice discovery and promulgation of the standards in these enterprises through Technical Committee 36.  From the ISO/TC 36 prospectus:

Standardization of definitions, dimensions, methods of measurement and test, and performance characteristics relating to materials and apparatus used in silent and sound motion picture photography; in sound recording and reproduction related thereto; in the installation and characteristics of projection and sound reproduction equipment; in laboratory work; and in standards relating to sound and picture films used in television.

Executive Summary

The American National Standards Institute is the ISO TC/36 Secretariat and the Society of Motion Picture and Television Engineers (SMPTE) is the US Technical Advisory Group Administrator (US TAG).    We find SCTE present in safety and sustainability standards settings forums in many facility types in the education industry.  It provides expertise to the Institute of Electrical and Electronic Engineers, the National Fire Protection Association, and the International Code Council, among others.

SMPTE Standards Home Page

As commenting opportunities that are relevant to the US education industry present themselves, we will identify them here.  As data from the US Bureau of Labor Statistics indicates, the demand for skill in this discipline is accelerating; with the education industry itself as a large consumer.  We encourage students, faculty and staff to communicate directly with Mr. Thomas Bause Mason at SCTE, 3 Barker Avenue, Fifth Floor, White Plains, ny 10601, Phone: (914) 761-1100, Email: tbausemason@smpte.org.  Educational institutions in other nations should contact their national representative to ISO TC/36

We sweep through all international standards that affect the education industry every nation.  The time and date of our next teleconference on international standards is shown on our CALENDAR.

Media production audio visual

Category: Academics, Arts & Entertainment Facilities, Electrical, Telecommunication

Contact: Mike Anthony, Sanne Clare Anthony, Jim Harvey, Richard Robben

 


 

Motion Picture Production

Education communities in every nation provide a locus for community cultural art production, enjoyment and instruction.   It is both a consumer and producer; with the expansion of massive open online curricula drawing from the best practices conveyed from the visual arts.

One of the first names in this domain is the Society of Motion Picture and Television Engineers that support the technical framework and global professional community that makes motion picture, television and professional media available for all humanity to enjoy for artistic, educational and social purposes.  The landing pages for its standards development enterprise are linked below:

SMPTE Standards  

There are no open consultations on any SMPTE practice titles but one of its quarterly standards updates will happen sometime during January 2020

We maintain SMPTE titles  on the standing agenda of our Lively Arts, Power, Fine Art and Infotech colloquia.   We also collaborate with the IEEE Education & Healthcare Facilities Committee which meets 4 times monthly in European and American time zones.  See our CALENDAR for the next online meetings; open to everyone.

Media production audio visual

Issue: [Various]

Category: Academics, Seven Lively Arts Facilities, Electrical, Telecommunication

Contact: Mike Anthony, Sanne Clare Anthony, Jim Harvey, Richard Robben


More

SMPTE Standards Annual Report 2019

Language Metadata Table

Cinematography

Lively 500

The term “lively arts” is attributed to American writer and poet James Thurber. It was popularized in the mid-20th century as a way to describe various forms of performing arts, such as theater, dance, music, and other creative expressions.

Curtain for the Lviv Theatre of Opera and Ballet

 

“What art is, in reality, is this missing link,  not the links which exist.

It’s not what you see that is art; art is the gap”

— Marcel Duchamp

 

Today we refresh our understanding of the literature that guides the safety and sustainability goals of lively art events in educational settlements.  Consortia have evolved quickly in recent years, leading and lagging changes in the content creation and delivery domain.  With this evolution a professional discipline has emerged that requires training and certification in the electrotechnologies that contribute to “event safety”; among them:

Cornell University Legal Information Institute: Schenck v. United States (1919)

“The most stringent protection of free speech would not protect a man in falsely shouting fire in a theatre and causing a panic.” — Justice Oliver Wendell Holmes

OSHA General Duty Clause: 29 U.S. Code § 654 – Duties of employers and employees

ASHRAE International

Standard 62.1: This standard establishes minimum ventilation rates and indoor air quality requirements for commercial buildings, including theaters and auditoriums.

Standard 55: This standard specifies thermal comfort conditions for occupants in indoor environments, which can have an impact on air quality.

Audio Engineering Society

Audio Visual and Experience Association

Entertainment Services and Technology Association

Event Safety Alliance

International Code Council

International Building Code: Section 303.2 Assembly Group A-1

Illumination Engineering Society

RP-16-17 Lighting for Theatrical Productions: This standard provides guidance on the design and implementation of lighting systems for theatrical productions. It includes information on the use of color, light direction, and light intensity to create different moods and effects.

RP-30-15 Recommended Practice for the Design of Theatres and Auditoriums: This standard provides guidance on the design of theaters and auditoriums, including lighting systems. It covers topics such as seating layout, stage design, and acoustics, as well as lighting design considerations.

DG-24-19 Design Guide for Color and Illumination: This guide provides information on the use of color in lighting design, including color temperature, color rendering, and color mixing. It is relevant to theater lighting design as well as other applications.

Institute of Electrical and Electronic Engineers

Research on Safety Integrity Level Assessment for Stage Machinery of Temporary Performance Site

Necessity of Establishing the Stage Technical Standards for Outdoor Live Performance Theater

Comparison of Technical Systems between Outdoor Live Performance Stage and Indoor Theater Stage

National Center for Spectator Sports Safety and Security

National Fire Protection Association

Life Safety Code

National Electrical Code

Articles 518-540: Arenas, Lecture Halls & Theaters

Society of Motion Picture Technology Engineers

Professional Lighting and Sound Association

Dance and Athletic Floor Product Standards: ASTM F2118, EN 14904, DIN 18032-2

Incumbent standards-setting organizations such as ASHRAE, ASTM, ICC, IEEE, NFPA have also discovered, integrated and promulgated event safety and sustainability concepts into their catalog of best practice titles; many already incorporated by reference into public safety law.   We explore relevant research on crowd management and spectator safety.

 

Planning and Managing Security for Major Special Events

 

“Art is anything you can get away with” — Marshall McLuhan

 

More

International Code Council (N.B. Changes to its Code Development Process) 

International Building Code: Entertainment Occupancies

Section 410: Stages, Platforms and Technical Production Areas

National Electrical Code: Articles 518 – 540 

Code-Making Panel 15 (NEC-P15): Public Input Report 10/1/2020

Code-Making Panel 15 (NEC-P15): Public Comment Report  11/18/2021

ASHRAE 62.1 Ventilation for Acceptable Indoor Air Quality

Princeton University: Set Design & Construction

Building the Virtual Stage: A System for Enabling Mixed Reality Theatre

University of California: Special Effects Safety and Loss Prevention

University of San Francisco Special Effects Safety

Dance Floors v. Sports Floors

Today in History

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