What makes #icecream so irresistible? 🍦😋🍦It’s the fascinating #chemistry at play, balancing fat globules, air & ice crystals to perfection – basically, ice cream isn’t just a treat, it’s a chemistry masterpiece!😉Check out this cool visual by @compoundchem@ndbrningpic.twitter.com/1qKLQaBF8k
UNESCO mun mæla með námskeiði í umhverfis- og auðlindafræði við Háskóla Íslands um hafið og sjálfbærni í tengslum við Áratug hafsins á vegum stofnunarinnar.
👇https://t.co/SgFdRNVgxTpic.twitter.com/WZXTH5YMDZ
🧸🩹Fyrir um 14 árum kom Guðrún Edda Min Harðardóttir með bangsann sinn til skoðunar á Bangsaspítala læknanema í HÍ. Nú um helgina var hún hinum megin við borðið og hlúði að fársjúkum böngsum og dúkkum á spítalanum sem fyrsta árs læknanemi.https://t.co/wZLPthMi2Kpic.twitter.com/aYl1YrE1pb
“Finian’s Rainbow” is a musical (written by E.Y. Harburg – University of Michigan 1918) that tells the story of an Irishman named Finian McLonergan who comes to the United States with his daughter Sharon to bury a pot of gold stolen from a leprechaun. Finian believes that if he buries the gold in the soil of Fort Knox, it will grow and multiply, allowing him to live a life of luxury.
However, the town they settle in, Rainbow Valley, is owned by a racist senator named Billboard Rawkins, who wants to evict the sharecroppers living on the land. With the help of a local activist named Woody, Sharon and the sharecroppers team up to stop Rawkins’ eviction plans.
Meanwhile, Og, the leprechaun whose gold Finian stole, comes to America to get his gold back. Og meets and falls in love with Susan, the mute daughter of the sharecropper Woody, and realizes that he wants to stay in America with her.
The story deals with themes of racism, prejudice, and the American dream, and features memorable like “Old Devil Moon,” “How Are Things in Glocca Morra?” and “If This Isn’t Love.”
An American hot sandwich originally created at the Brown Hotel in Louisville, Kentucky, by Fred K. Schmidt in 1926. It is a variation of traditional Welsh rarebit and was one of two signature sandwiches created by chefs at the Brown Hotel shortly after its founding in 1923. It was created to serve as an alternative to ham and egg late-night dinners requested by its guests in the early hours of the morning after an evening of dancing; its ballroom accommodating upwards 1200 guests.
“All Glory, Laud and Honour” is a hymn written by Theodulf of Orléans around 820 AD, originally in Latin as “Gloria, laus et honor.” Composed during his imprisonment in Angers, France, it was meant for Palm Sunday, celebrating Jesus’ triumphal entry into Jerusalem.
The hymn became part of liturgical traditions, sung during processions. Translated into English by John Mason Neale in 1854, it gained widespread use in Anglican and other churches. Its enduring melody, often paired with the text, is attributed to Melchior Teschner (1615). The hymn remains a staple in Christian worship, especially during Holy Week.
Colours determine our lives – consciously and subconsciously. They give us direction, influence our emotions, act as a means of communication, underline individuality and give us our identity. RAL colours have existed in all areas of our lives for decades and they set the colour standards for clear global communication of colour in architecture, design, skilled trades and industry.
Enter into the three RAL colour ranges with over 2,500 clearly specified shades for professional colour design. Find out on our website about our colour collections, our analogue and digital products as well as the latest trends from the world of RAL colours.
NFPA 1 Fire Code does not have a specific section dedicated solely to painting facility safety. However, there are several sections within NFPA 1 that address fire safety requirements relevant to painting facilities. These sections provide guidelines and standards for various aspects of fire prevention and protection. Here are some key sections within NFPA 1 that are relevant to painting facility safety:
Chapter 10: Hazardous Materials: This chapter outlines requirements for the storage, handling, and use of hazardous materials, including paints, solvents, and flammable liquids. It covers topics such as storage limitations, ventilation, spill control, and fire protection measures.
Chapter 13: Spraying, Dipping, and Coating Using Flammable or Combustible Materials: This chapter addresses specific fire safety requirements for spray booths, spray rooms, and dip tanks used in painting and coating operations. It covers aspects such as construction, ventilation, electrical equipment, ignition sources, and fire suppression systems.
Chapter 15: Spraying and Dipping Operations: This chapter provides general requirements for spray finishing operations, including safety precautions, ventilation, electrical equipment, and handling of flammable or combustible materials.
Chapter 16: Combustible Dust-Producing Operations: While not specific to painting, this chapter is important for facilities that generate combustible dust during surface preparation or other operations. It addresses fire and explosion hazards associated with combustible dust, providing requirements for dust control, ventilation, equipment, and other safety measures.
These sections highlight key areas within NFPA 1 that can guide painting facility safety. It is essential to consult the latest edition of NFPA 1 and any applicable local or state fire codes to ensure compliance with the most up-to-date requirements and regulations specific to your location and facility type.
We maintain this title, and related titles in the NFPA catalog on the standing agenda of our periodic Paint colloquia; open to everyone. Use the login credentials at the upper right of our home page.
In Irish author Jonathan Swift’s 1726 satire — “Gulliver’s Travels” — Lagado is the capital of Balnibarbi whose king had invested a great fortune on building an “Academy of Projectors” so that it shall contribute to the nation’s development through research.
Gulliver describes pointless experiments conducted there — trying to change human excretion back into food, trying to extract sunbeams out of cucumbers, teaching mathematics to pupils by writing propositions on wafers and consuming them.
“Gulliver’s Travels” 1939 Production | (Max Fleischer (1883 – 1972)
“None are so blind as those who refuse to see” is a proverbial expression that has been used by many authors and public figures throughout history. The exact origin of the phrase is unknown, but it has been attributed to various sources, including the Bible, where Jesus says, “For judgment I am come into this world, that they which see not might see; and that they which see might be made blind” (John 9:39, King James Version).
The phrase has also been attributed to Jonathan Swift, an Irish author and satirist, who wrote in his 1738 work,
“Polite Conversation”: “Blind, sir? I see every day where Lord M– goes upon the bench without his bag, and you tell me he is not blind?”.
However, it is possible that the phrase existed prior to Swift and was simply popularized by him.
New update alert! The 2022 update to the Trademark Assignment Dataset is now available online. Find 1.29 million trademark assignments, involving 2.28 million unique trademark properties issued by the USPTO between March 1952 and January 2023: https://t.co/njrDAbSpwBpic.twitter.com/GkAXrHoQ9T