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NYU Stern: The Greatest Trade in History
The New York Times is a powerful, well-resourced newspaper based in Manhattan. It sees much, reports much and influences the conversation of the republic. But Manhattan is not the republic. A newspaper, however distinguished, looks outward from somewhere; and the somewhere matters.
Its newsroom, sources and habitual audience gather largely in New York, Washington and the other metropolitan precincts of the educated professional class. From such places certain things appear enormous and others scarcely visible. Crime, energy, religion, guns, immigration and class acquire the proportions given them by the city. What seems self-evident in Brooklyn may look rather different in Boise, Birmingham or Bakersfield.
This is not principally a complaint about bias. It is a question of scale and perspective. The modern metropolis has an old temptation: to mistake the intensity of its own conversation for the breadth of the civilization surrounding it. Yet beyond the newsroom lie counties, workshops, farms, churches, substations, schoolhouses and kitchen tables where the country conducts most of its ordinary life, frequently without appearing above the fold.
National influence is therefore not national representation. A serious reader uses the Times for what it does exceptionally well — reporting, investigation and the argument of the governing and professional classes — but reads outward from it as well: local newspapers, regional voices, primary documents and, not least, direct observation.
The map is larger than Manhattan. The republic contains more voices than its loudest newspaper, and more life than can be gathered into a morning edition.
On the occasion of King Harald’s passing
In Lutheran memorial the traditional hymn does not treat death as defeat or a meritorious climb, but as the last stage of God’s gracious drawing. Its quiet, stepwise melody and repeated refrain make it especially suited to funerals: a humble prayer of trust rather than triumphant victory, ending in the hope of being “hjemme hos deg.”
#UQ ranked 41st in the world in the QS World University Rankings: Sustainability, which recognises an institution’s efforts across areas including environmental sustainability, education, research, and health and wellbeing.@worlduniranking pic.twitter.com/CJDfgqsqjs
— UQ News (@UQ_News) December 18, 2024
This proof-of-concept device consumes carbon dioxide to generate electricity.
Developed by #UQ researchers, the technology could one day charge phones using CO2 from the atmosphere.
Read how it works here: https://t.co/t4vO39hcAc @UQ_EAIT pic.twitter.com/GnfZS6wVmL— UQ News (@UQ_News) April 17, 2024

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Net Position 2025: $1.081B (Page 9) | OU Campus Master Plan | OU Housing & Food Services
The classic American breakfast of eggs, bacon, hash browns, toast, and coffee follows a foodway that begins on farms and plantations, moves through regional processing industries, and arrives at the home kitchen, campus dining room, hotel, or neighborhood diner.
Eggs come from poultry farms; bacon begins with hog production and curing; hash browns originate with potato farms; toast begins as wheat grown, milled, baked, sliced, and toasted; and coffee follows the longest path, from tropical farms to American roasters and breakfast tables.
Together, these foods converge through griddling, frying, toasting, and brewing into a familiar morning meal. It reflects American agriculture, transportation, refrigeration, food preservation, and regional specialization—an enduring symbol of hospitality, comfort, and a hearty start to the day.
“Cherokee Gothic” — Frank Lloyd Wright
Christopher C. Gibbs College of Architecture
The musical “Oklahoma!” opened on Broadway on March 31, 1943, at the St. James Theatre. Explores challenges of farmers & ranchers in newly settled territory; close coupled with the awakening of young love.
The University of North Carolina School of the Arts does a painstaking… pic.twitter.com/Rq7R7AJYdJ— Standards Michigan (@StandardsMich) June 28, 2026
Boston Manufacturing Company: Payrolls list women workers (1817 to 1881)
“Millworker” belongs to a later and subtler tradition of “labor music”. There is no strike, no marching line and scarcely a villain. Taylor locates the conflict inside the worker herself: her hands remain at the machine while her mind wanders backward through family, farm and memory.
The complaint is not simply that the work is hard. It is that a human life can disappear into work that asks too little of the human being. Taylor tells us that millwork is not especially hard. That’s what separates this song from so much earlier, angrier industrial laments. The injury is monotony, lost possibility and time for a ‘young girl who ought to stand a better chance’.
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New update alert! The 2022 update to the Trademark Assignment Dataset is now available online. Find 1.29 million trademark assignments, involving 2.28 million unique trademark properties issued by the USPTO between March 1952 and January 2023: https://t.co/njrDAbSpwB pic.twitter.com/GkAXrHoQ9T
— USPTO (@uspto) July 13, 2023
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