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Carillons

October 25, 2026
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“The True, the Good and the Beautiful”

October 25, 2026
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Roger Scruton — The True, the Good and the Beautiful

Utah

IS BEAUTY RACIST?

In contemporary America, beauty sometimes arrives in the dock accused of carrying an old accomplice: power.

The argument has a history. Standards called beautiful — in faces, bodies, buildings, painting and language — were often established when Western institutions were overwhelmingly European. What one generation
called proportion, harmony or refinement, another may therefore suspect of being merely preference hardened into authority.

But this leaves a larger question unanswered. Abuse of a standard does not prove that standards are impossible. Nor does the history of exclusion establish that beauty itself excludes.

A cathedral, a garden, a melody or a well-made room can move people who share neither ancestry nor politics.

Perhaps beauty is troublesome precisely because it makes a larger claim: that amid our differences, some things may still be worth admiring together.

 

Brigham Young University Utah

 


 

Lively Arts 300

October 23, 2026
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The term “lively arts” is attributed to American writer and poet James Thurber. It was popularized in the mid-20th century as a way to describe various forms of performing arts, such as theater, dance, music, and other creative expressions.

Standards Michigan Lively Art Catalog

Curtain for the Lviv Theatre of Opera and Ballet

 

“What art is, in reality, is this missing link,  not the links which exist.

It’s not what you see that is art; art is the gap”

— Marcel Duchamp

 

Today we refresh our understanding of the literature that guides the safety and sustainability goals of lively art events in educational settlements.  Consortia have evolved quickly in recent years, leading and lagging changes in the content creation and delivery domain.  With this evolution a professional discipline has emerged that requires training and certification in the electrotechnologies that contribute to “event safety”; among them:

 

ASHRAE International

Standard 62.1: This standard establishes minimum ventilation rates and indoor air quality requirements for commercial buildings, including theaters and auditoriums.

Standard 55: This standard specifies thermal comfort conditions for occupants in indoor environments, which can have an impact on air quality.

Audio Engineering Society

Audio Visual and Experience Association

Entertainment Services and Technology Association

Event Safety Alliance

International Code Council

International Building Code: Section 303.2 Assembly Group A-1

Illumination Engineering Society

RP-16-17 Lighting for Theatrical Productions: This standard provides guidance on the design and implementation of lighting systems for theatrical productions. It includes information on the use of color, light direction, and light intensity to create different moods and effects.

RP-30-15 Recommended Practice for the Design of Theatres and Auditoriums: This standard provides guidance on the design of theaters and auditoriums, including lighting systems. It covers topics such as seating layout, stage design, and acoustics, as well as lighting design considerations.

DG-24-19 Design Guide for Color and Illumination: This guide provides information on the use of color in lighting design, including color temperature, color rendering, and color mixing. It is relevant to theater lighting design as well as other applications.

National Center for Spectator Sports Safety and Security

National Fire Protection Association

Life Safety Code

Electrical Safety

National Electrical Code

Articles 518-540: Arenas, Lecture Halls & Theaters

Society of Motion Picture Technology Engineers

Professional Lighting and Sound Association

Dance and Athletic Floor Product Standards: ASTM F2118, EN 14904, DIN 18032-2

Incumbent standards-setting organizations such as ASHRAE, ASTM, ICC, IEEE, NFPA have also discovered, integrated and promulgated event safety and sustainability concepts into their catalog of best practice titles; many already incorporated by reference into public safety law.   We explore relevant research on crowd management and spectator safety.

Planning and Managing Security for Major Special Events

 

“Art is anything you can get away with” — Marshall McLuhan

 

More

International Code Council (N.B. Changes to its Code Development Process) 

International Building Code: Entertainment Occupancies

Section 410: Stages, Platforms and Technical Production Areas

National Electrical Code: Articles 518 – 540 

Code-Making Panel 15 (NEC-P15): Public Input Report 10/1/2020

Code-Making Panel 15 (NEC-P15): Public Comment Report  11/18/2021

ASHRAE 62.1 Ventilation for Acceptable Indoor Air Quality

Princeton University: Set Design & Construction

Building the Virtual Stage: A System for Enabling Mixed Reality Theatre

University of California: Special Effects Safety and Loss Prevention

University of San Francisco Special Effects Safety

Dance Floors v. Sports Floors

Today in History

Recess

October 23, 2026
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Style

October 23, 2026
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Ulster University Graduate Fashion Show

In addition to the astonishing size of the global garment industry, risk aggregations in the facilities that support the education and training of young professionals for careers in this field are among the most complex.  Not only have we moved this topic from our Saturday stream (which has run about four years now) but starting 2023 we move it into our weekday curriculum further breaking the coverage down further.   Join us today at 16:00 UTC as we begin organizing these topics separately.

We start with titles on our Fine Arts syllabus; putting aside the arguable difference between style and fashion which is largely outside our area of expertise.  Keeping these spaces safe and sustainable is.

Design Considerations

Fine Arts 300

What Are People Wearing?

What California College Students are Wearing

 

More:

North Carolina State University: Textile Protection and Comfort Center

South Texas College: General Studio Rules & Procedures

The New School: Parsons Relocates After West 13th Electrical Fire

Fashion Museum

October 23, 2026
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Ohio

Standards Ohio

Motion Picture Production

October 23, 2026
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Education communities in every nation provide a locus for community cultural art production, enjoyment and instruction.   It is both a consumer and producer; with the expansion of massive open online curricula drawing from the best practices conveyed from the visual arts.

One of the first names in this domain is the Society of Motion Picture and Television Engineers that support the technical framework and global professional community that makes motion picture, television and professional media available for all humanity to enjoy for artistic, educational and social purposes.  The landing pages for its standards development enterprise are linked below:

SMPTE Standards  

ST 2110 Suite of Standards

We maintain SMPTE titles  on the standing agenda of our Lively Arts, Power, Fine Art and Infotech colloquia.   We also collaborate with the IEEE Education & Healthcare Facilities Committee which meets 4 times monthly in European and American time zones.  See our CALENDAR for the next online meetings; open to everyone.

Media production audio visual

Issue: [Various]

Category: Academics, Seven Lively Arts Facilities, Electrical, Telecommunication

Contact: Mike Anthony, Sanne Clare Anthony, Jim Harvey, Richard Robben


More

SMPTE Standards Annual Report 2019

Language Metadata Table

Cinematography

Large Language Models of Electric Power Sector

October 23, 2026
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Guide for Evaluation Metrics and Methods for Large Language Models of Electric Power Sector | November 29

Large Language Models have propelled the rapid development of artificial intelligence technology, greatly expanding the boundaries of machine intelligence. Global tech giants and innovative enterprises are intensively deploying strategies around LLMs. As products based on LLMs are continuously launched and iterated, the evaluation of their capabilities has gradually become the focus of the industry. However, how to conduct a systematic, comprehensive evaluation and quantification of LLMs through unified evaluation criteria still requires in-depth exploration. Some enterprises and institutions have established relevant evaluation benchmarks and rankings for general large models in fields such as education and finance but there is still a lack of guidance for LLMs in the electric power industry.

The electric power industry, a key sector related to the global economy and people’s livelihood, is rich in professional knowledge and business logic. The evaluation of LLMs in this sector should focus on issues such as what power-specific capabilities large language models should possess, the level these capabilities should reach, how to construct industry evaluation datasets, and how to conduct objective evaluations, so as to form evaluation guidelines.

The aim is to use these guidelines to provide comprehensive, professional, objective, and scientific evaluation results for LLMs in the electric power sector, understand the boundaries of their professional capabilities, and guide the research, development, optimization, and application of LLMs. However, the existing evaluation standards for general LLMs are difficult to assess the capabilities of LLMs in the electric power sector comprehensively and thoroughly. Therefore, it is necessary to construct an evaluation system for LLMs in the electric power sector , tailored to industry-specific characteristics, and to formulate corresponding evaluation guide.

2200 East Kentwood Blvd.

October 22, 2026
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