Evensong “The Water is Wide”

Loading
loading...

Evensong “The Water is Wide”

August 9, 2026
mike@standardsmichigan.com
No Comments

“All my longings lie open before you, Lord;
my sighing is not hidden from you.”

— Psalm 38:9

“The Water Is Wide” is a traditional folk song with deep roots in the British Isles, particularly Scotland and England, before it became a beloved American folk song. Its origins are complex, as it evolved through oral tradition, with variations in lyrics, melody, and title across regions and centuries. Below is a detailed explanation of its origins and journey to becoming a classic American folk song with summer associations.1. British Isles Origins (17th–18th Century)

  • Earliest Roots: The song likely derives from a Scottish or English folk ballad dating back to at least the 17th century. It is closely related to ballads like “Waly, Waly” (sometimes spelled “Wally, Wally”), a lament about love and loss. The earliest known versions appear in Scottish oral traditions, with references to broadsides (printed song sheets) from the 1600s.
  • Melody and Structure: The melody associated with “The Water Is Wide” is a modal, haunting tune typical of Celtic folk music. It shares similarities with other traditional songs like “O Waly, Waly,” which was collected in Cecil Sharp’s English Folk Songs from the Southern Appalachians (1917). The song’s structure, with its simple, repetitive stanzas, made it adaptable for oral transmission.
  • Lyrics and Themes: Early versions focused on themes of unrequited or lost love, with the “wide water” symbolizing an insurmountable barrier between lovers. For example, a common early stanza is:
    “The water is wide, I cannot get o’er / And neither have I wings to fly / Give me a boat that will carry two / And both shall row, my love and I.”
    This imagery of rivers and separation resonated in pastoral settings, often evoking summer landscapes.

 

2. Transmission to America

  • Colonial Migration: The song crossed the Atlantic with British and Scottish immigrants, particularly during the 17th and 18th centuries, settling in regions like the Appalachian Mountains, where it became part of the American folk tradition. Scots-Irish settlers, in particular, brought ballads like “The Water Is Wide” to the American South, where they were adapted to local contexts.
  • Appalachian Influence: In the Appalachians, the song’s lyrics and melody were shaped by oral tradition, with variations emerging in different communities. It retained its melancholic tone but often incorporated local imagery, such as American rivers or landscapes, which tied it to summer’s reflective, open-air mood.
  • African American Influence: Some scholars suggest that African American spirituals influenced the song’s evolution in America, as its themes of longing and crossing water paralleled spirituals like “Deep River.” This blending enriched its emotional depth and melodic variations.

3. Documentation and Revival

  • Early Collections: The song was first formally documented in the 19th century, with variants appearing in folk song collections. By the early 20th century, collectors like Cecil Sharp and Francis James Child (known for the Child Ballads) noted versions of “Waly, Waly” and related songs in both Britain and America.
  • Folk Revival (20th Century): “The Water Is Wide” gained prominence during the American folk revival of the 1950s and 1960s. Artists like Pete Seeger, Joan Baez, and The Kingston Trio popularized it, often performing it at summer folk festivals. Seeger’s version, in particular, standardized the modern American melody and lyrics, emphasizing its gentle, summery river imagery.
  • Adaptations: The song was adapted into various forms, including gospel, pop, and classical arrangements. Its inclusion in school songbooks and campfires further cemented its place in American folk culture, with its river imagery evoking lazy summer days.


6. Historical Significance

  • Oral Tradition: The song’s survival through oral tradition highlights its adaptability and emotional resonance, key traits of folk music.
  • Cross-Cultural Exchange: Its journey from Scotland/England to America, with influences from African American traditions, exemplifies the blending of cultures in American folk music.
  • Modern Legacy: Today, “The Water Is Wide” remains a staple in folk repertoires, performed by artists across genres and taught in music education, often evoking summer’s reflective mood.

America is running out of teenagers

August 9, 2026
mike@standardsmichigan.com
No Comments

“By 2039, the US is set to have 650,000 fewer 18 year olds than it does today. For universities, that demographic cliff poses an existential challenge. Fewer teenagers means fewer college applicants. Fewer applicants means fewer enrolled students. And fewer students means that some universities may not make enough money to keep their doors open.

Katty Kay talks with Nathan Grawe, a Professor of Economics at Carleton College, about how difficult it will be for colleges to ride out this demographic drop — and what they will need to do to survive it.”

Related:

Cold-Brew Chemistry

August 8, 2026
mike@standardsmichigan.com

No Comments

This content is accessible to paid subscribers. To view it please enter your password below or send mike@standardsmichigan.com a request for subscription details.

ALLIED TUBE & CONDUIT CORP. v. INDIAN HEAD, INC.

August 8, 2026
mike@standardsmichigan.com
No Comments

A technical standard may look like a collection of measurements, materials and engineering rules, but behind every requirement lies a process of persuasion, voting and institutional judgment. Allied Tube & Conduit Corp. v. Indian Head, Inc. exposed what can happen when commercial interests discover that influencing the standards process may be more effective than competing in the marketplace.

The case remains important because voluntary consensus standards frequently become something more: governments adopt them, inspectors enforce them and entire industries organize around them. With that influence comes responsibility. Participation must remain open, voting procedures credible and technical arguments distinguishable from economic self-interest.

The lesson extends far beyond electrical conduit or the National Electrical Code. Standards development depends upon confidence that competing interests can meet under rules strong enough to withstand disagreement. In that sense, the integrity of the process is itself one of the most important standards we maintain.

ANSI Essential Requirements for Due Process

“Allegory of Peace and Justice” | Giaquinto, Corrado (1753)

486 U.S. 492 (1988)

ALLIED TUBE & CONDUIT CORP.
v.
INDIAN HEAD, INC.

No. 87-157.
Supreme Court of United States.
Argued February 24, 1988 | Decided June 13, 1988
 

CLICK HERE

 

Bibliography & Discussion:

ANSI: Significant Federal Laws and Policies

Federal Trade Commission: Antitrust Issues in Standard-Setting

https://supreme.justia.com/cases/federal/us/486/492/

https://caselaw.findlaw.com/us-supreme-court/486/492.html

https://www.quimbee.com/cases/allied-tube-conduit-corp-v-indian-head-inc

Allegory of Justice and Peace

“Allegory of Justice and Peace” | Jodocus a Winghe, Flemish, 1544 – 1603 | Princeton University Art Museum

Seed the Future

August 7, 2026
mike@standardsmichigan.com
, ,
No Comments

Agriculture

Fountain of the Four Seasons

August 6, 2026
mike@standardsmichigan.com

No Comments

Standards Iowa | Art School | Art on Campus

The Four Maidens are four seated limestone sculptures by Danish-American artist Christian Petersen, installed in 1941 as part of the Fountain of the Four Seasons outside Iowa State University’s Memorial Union. These iconic figures, depicting Native American women inspired by an Osage tribe chant of thanksgiving, represent the annual cycle of corn agriculture and family life: Spring (planting corn, east), Summer (sheltering a young plant, south), Fall (holding the harvest, west), and Winter (nursing a child, north). They symbolize renewal, growth, harvest, and sustenance. Recently replicated in durable Bedford limestone after erosion, they remain a beloved campus landmark.

https://www.museums.iastate.edu/visit/art-on-campus-collection/fountain/where-maidens-now

Dawn Chorus: Bird Song

August 5, 2026
mike@standardsmichigan.com
, ,
No Comments

“Awake, harp and lyre! I will awaken the dawn.”

— Psalm 108:2

Standards New York |  Homophily New York

 

Animal Welfare Act (AWA) Regulations for Birds (9 CFR Part 3, Subpart G)

University Policy 1.2: Research Integrity

Terrestrial Animal Health Code


Animal Safety

Cornell University’s status as a land-grant institution, coupled with its location in Ithaca, far from New York’s urban centers, fosters a campus atmosphere of grounded normalcy. As a land-grant university, Cornell emphasizes practical education, research, and outreach, rooted in its mission to serve the public good. This ethos cultivates a community focused on collaboration and accessibility rather than elitism.

Ithaca’s rural setting, surrounded by gorges and rolling hills, creates a tight-knit, insulated environment where students engage deeply with academics and each other without the distractions of a bustling city. The slower pace encourages a balanced lifestyle, with traditions like Slope Day and local eateries fostering camaraderie. The lack of urban pressures allows for a focus on intellectual curiosity and personal connections, while diverse student organizations and cooperative extension programs reinforce a sense of purpose and community, grounding Cornell’s atmosphere in authenticity and approachability.

Layout mode
Predefined Skins
Custom Colors
Choose your skin color
Patterns Background
Images Background
Standards Michigan
error: Content is protected !!
Skip to content