CSA Group: Product Certification & Standards Development
McGill Endowment Fund Annual Report 2023 | $1.9B
Historical Epistemology | Michel Foucault
Canadian Parliament Debate on Standards Incorporated by Reference
How the language of climate change has changed
Readings:
Politics and the English Language
Political linguistics: How language shapes politics
The Left and the Right Speak Different Languages—Literally
A Psycholinguistic Study of Political Rhetoric of Fear
The USDA is now censoring its staff on the use of “climate change”
During the early years of Earth Day, there was talk of "global cooling", which included 3 cover stories in Time Magazine. pic.twitter.com/hjijre1k8v
— bill steffen (@bsteffen) April 22, 2017
Operational Resilience of Hospital Power Systems in the Digital Age
Abstract: An advanced guideline is required to support the design of power supply systems for the performances of service continuity and power outage resilience, which are vital for hospital power systems and strategic operational structures (SOSs). The supply sources, the power system topology, and its management are fundamental in guaranteeing the electrical resilience of the power system. There is still no standard to evaluate the adequacy of hospital power systems for natural calamities and human-made disasters and, subsequently, for the ordinary operation. The World Health Organization recognizes it as a basic problem and at this aim has to claim clearly the status of SOSs for the hospitals, recommending to safeguard and plan the full operability. The hospital power systems need a local fortified electrical structure, designed for service continuity during fault events and managed to ensure an adequate dynamic response to any emergency and maintenance needs. The importance of the business continuity management is highlighted; it has to be qualified for a permanent design with both the in-op approaches for the initial installation of the system and its life cycle operation.
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“Dear students, faculty, distinguished guests, parents,
I’m so proud to have been offered this honorary degree by the @New England Conservatory of music. When I learned that my friend Manny Axe was also being honored, I thought: some great company. But my mother would be proud. She studied here in the early 1940s.
I want to talk today about language, music and the human condition. I realize that to talk about music is an exercise in futility. Critics do it and, I have no doubt, your professors. But Music does an end run around language and goes straight to the heart. It defies our efforts at judgement and control: it either connects or it doesn’t. I suppose one might be persuaded to appreciate a particular piece of music but that sounds pretty cerebral to me. Music is spiritual food.
The human condition, it seems to me, is that we are split, bifurcated. We are a product of the natural world, of the co-evolved skin of life on the surface of this miraculously unlikely planet.
But we put ourselves slightly above and at some remove from that natural world. And we’re always looking for trouble. Our very successful survival strategy is to analyze, predict and control everything around us.
In the book of Genesis, God gives Adam the job of naming everything. And that’s what we do, we name and categorize everything.
This is a language of names for things but you can’t sit in the word “chair”, you can’t climb the word ”tree”, in fact the only word that is what it says… is the word, “word”.
Music is a language, we use it to communicate emotions, but it’s not representative, like this language of names: music feels real.
Analyze predict and control. It’s a defensive tactic and we are suspicious and distrustful, not only of the natural world but of our own animal selves. Of this meat-suit we live in, with its appetites and urges, which humiliates and embarrasses us and which, in the end, will betray us with its mortality.
Maybe this is a good point to tell you my favorite joke: what did the Zen Buddhist say to the hotdog vendor? Make me one with everything. It’s a very Dad joke.
I’m pretty sure our new puppy is “one with everything” and, when I was a kid, I think I was too. But over time I learned self-consciousness. I also assembled a worldview, a sort of consensus reality. These are wonderful tools. They allow us to cooperate with strangers. Actually, I think that’s a pretty decent definition of civilization: cooperation among strangers. But it comes at a cost. The price of our egocentric identity is separation and isolation and we very much want to escape. To give the rational humanist construct the slip and get back to the garden. Get back, JoJo… Music can make that happen for a while.
How does music make us “one with everything”? It’s a mystery. But it might be partially because music IS real. It obeys the laws of the physical universe: an octave is half the frequency of the one above it and twice that of the one below. A fifth, an octave, a third, a seventh, the whole overtone series, is a physical, mathematical reality.
And live music, performed in an actual, non-virtual space, with an audience of fellow humans can be truly transcendent, a communal emotional event. Covid and its hiatus of nearly two years has brought home to me just how much I need it.
That’s what I want to leave you with and encourage you to do: make live music for live people. Whatever it takes and however you can manage it, alone or with other players, get your music in front of people. Make us one with everything.”
“Chanson de Matin” is characterized by its light, lyrical, and charming melody, which evokes a sense of freshness and optimism associated with the early hours of the day. Elgar is known for his ability to capture various moods and emotions in his compositions.
Anderson University School of Music, Theater, and Dance
Physical Plant | Anderson University
Victorian England 1890-1900s. Rare photo’s (enhanced).
🎶 UNMUTE: Chanson de Matin (Morning Song), Op. 15 No. 2, by Edward Elgar (1899). pic.twitter.com/Gw2CP8MR5O— Patrick JW Breukers (@PatrickBreukers) August 15, 2023
New update alert! The 2022 update to the Trademark Assignment Dataset is now available online. Find 1.29 million trademark assignments, involving 2.28 million unique trademark properties issued by the USPTO between March 1952 and January 2023: https://t.co/njrDAbSpwB pic.twitter.com/GkAXrHoQ9T
— USPTO (@uspto) July 13, 2023
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