Hot chocolate vs. hot cocoa

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Hot chocolate vs. hot cocoa

February 1, 2026
mike@standardsmichigan.com
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Michigan Central  

2026 General Fund Revenue & Expenditures: $1.738B $ Integrated Facilities and Land Use

MSU receives record-breaking $401 million commitment

Why Does The Modern World Make No Sense?

“…Hot cocoa and hot chocolate are terms that we often used interchangeably. Technically, hot cocoa and hot chocolate are as different as milk chocolate and bittersweet chocolate. Hot cocoa is made with cocoa powder, the way my mother made it when I was a kid. Hot chocolate is made from melting chocolate bars into cream…”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Plant science at your dinner table: Hot chocolate vs. hot cocoa

 

How to make the chemically perfect hot chocolate

Milk

 

Campus Center Cafe

February 1, 2026
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Net Position 2024: $3.918B |  Facilities Management | Library Renovation Bonds

Hampshire County Massachusetts

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Warrior Coffee Project

February 1, 2026
mike@standardsmichigan.com

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Standards Pennsylvania

Financial Statement 2023Next Phase Campus Master Plan


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Summer Soiree event on the Upper Quad during First Weekend.

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Willa Cather: “Pennsylvania is a beautiful state, filled with history and the evidence of hard work.”

Harper Lee: “In Pennsylvania, there’s a sense of history that’s palpable. You can feel it in the air.”

John Updike: “Pennsylvania is old and it’s new, it’s modern and it’s historical; a place where the past meets the present.”

James A. Michener: “Pennsylvania is a land of deep rivers and tall mountains, fertile valleys and ancient forests.”

H.G. Wells: “Pennsylvania has always been a dream to me, a place where hard work and determination lead to success.”

Tennessee Williams: “There’s a depth of character in the people of Pennsylvania, a resilience that comes from their history.”

David McCullough: “Pennsylvania is a cradle of American history, a place where the very fabric of our nation was woven.”

Louisa May Alcott: “The rolling hills of Pennsylvania are a testament to the enduring spirit of the American people.”

Annie Dillard: “Pennsylvania is a state of great beauty, with a landscape that inspires and a history that humbles.”

John Steinbeck: “The people of Pennsylvania have always struck me as the backbone of America, hardworking and proud.”

Edgar Allan Poe: “The streets of Pennsylvania cities hold many secrets, whispers of the past in every cobblestone.”

Mark Twain: “Pennsylvania is a state that embodies the very essence of the American spirit.”

F. Scott Fitzgerald: “There’s a timelessness to Pennsylvania, a sense of enduring strength and quiet beauty.”

Henry David Thoreau: “In Pennsylvania, nature and civilization coexist in a way that’s rare and beautiful.”

William Faulkner: “Pennsylvania’s history is written in its landscapes, its cities, and its people.”

Sylvia Plath: “The beauty of Pennsylvania’s seasons is a metaphor for the resilience of its people.”

Emily Dickinson: “Pennsylvania’s hills and valleys sing a song of history and hope.”

 

Fine Arts 300

February 1, 2026
mike@standardsmichigan.com
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Public Input on the 2029 Edition will be received until January 6, 2027

Comments on the Second Draft of NFPA 909 — Cultural Resource Property Protection — will be received until 3 October 2024

“Wir haben Kunst, damit wir nicht

an der Wahrheit zugrunde gehen”

Friedrich Wilhelm Nietzsche

Not every student is passionate about Graph Algorithms, Green Policy or coding the Internet of Things but wants to devote their energy and talent to making the world a better place by making the world a more beautiful place.  Spaces for the “creatives” among them are elevated risk spaces.   Today we examine the literature for designing, building and maintaining these occupancies in the safest and most sustainable way; among them the spaces for textile research and fashion design; usually co-mingled with drawing, painting, and textile creation space.

The garment industry is multi-disciplinary and is larger than the energy industry.  It contributes to the standard for civilization; even though subtly so.   For this reason, starting 2023, we will break down our coverage of the literature that supports the fashion industry from the fine arts domain in separate colloquia every quarter.

Fine Arts 200.   Exploration of best practice for spaces used for various forms of creative expression that are appreciated for their artistic or aesthetic value, often involving skills and techniques that require specialized training and expertise. 

    • Painting: The application of pigment to a surface, such as canvas or paper, to create images or visual compositions using techniques like oil, acrylic, watercolor, or tempera.
    • Sculpture: The creation of three-dimensional artworks by shaping and manipulating materials such as stone, wood, metal, or clay.
    • Drawing: The use of lines, marks, or other materials to create images or representations on paper, canvas, or other surfaces.
    • Printmaking: The creation of multiple copies of an image from a master plate or block, using techniques like engraving, etching, lithography, or screen printing.
    • Photography: The use of a camera to capture and create visual images, often through techniques such as exposure, composition, and processing.
    • Architecture: The design and construction of buildings and structures, involving artistic elements such as form, space, materials, and aesthetics.
    • Ceramics: The creation of pottery or ceramic objects using techniques like wheel throwing, hand-building, or glazing.
    • Mixed media: The combination of different artistic materials or techniques in a single artwork, such as collage, assemblage, or installations.
    • Conceptual art: The creation of artworks that prioritize ideas, concepts, and intellectual or philosophical aspects over traditional aesthetic or material considerations.

Fashion 300.  Best practice literature for the spaces needed for the creation of artworks using textiles and fibers, such as weaving, quilting, or embroidery.  Research and teaching spaces in this domain; at the foundation of the garment industry — one of the largest sectors in the economy in any nation — present surprising challenges

See our CALENDAR for a schedule of those session.

Fine Arts 200

US-based standards developers with a footprint in the fine arts domain:

ASTM International

Committee D13 on Textiles Celebrates a Century

International Code Council

2021 International Building Code: Section 305 Educational Group E

Underwriters Laboratories

Lorem ipsum (product testing: kiln heat specifications, fabric and paint flammability, wet and dry fire extinguishing systems, etc.)

National Fire Protection Association

Art, Design & Fashion Studios

Institute of Electrical and Electronic Engineers

Leveraging User-Provided Noisy Labels for Fashion Understanding

Fuzzy Logic in Personalized Garment Design

Institutional Guidelines

St. Louis Community College

Federal Regulations & Recommendations

Environmental Health and Safety in the Arts Guide for K-12 School, Colleges and Artisans

Global standard developers:  (partial list)

Eurocodes

Illumination Art

Textiles

Labeling of Hazardous Art Materials Act

Open to everyone.  Use the login credentials at the upper right of our home page.

“A List of Our Favorite Coffee Spots in and Around Campus”

February 1, 2026
mike@standardsmichigan.com

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Quinn Mink, from the Office of Undergraduate Admissions explains

Drinking from My Saucer | John Paul Moore

I’ve never made a fortune and it’s probably too late now.
But I don’t worry about that much, I’m happy anyhow.
And as I go along life’s way, I’m reaping better than I sowed.
I’m drinking from my saucer, ‘Cause my cup has overflowed.

I don’t have a lot of riches, and sometimes the going’s tough.
But I’ve got loved ones around me, and that makes me rich enough.
I thank God for his blessings, and the mercies He’s bestowed.
I’m drinking from my saucer, ’Cause my cup has overflowed.

I remember times when things went wrong, my faith wore somewhat thin.
But all at once the dark clouds broke, and the sun peeped through again.
So God, help me not to gripe about the tough rows that I’ve hoed.
I’m drinking from my saucer, ‘Cause my cup has overflowed.

If God gives me strength and courage, when the way grows steep and rough.
I’ll not ask for other blessings, I’m already blessed enough.
And may I never be too busy, to help others bear their loads.
Then I’ll keep drinking from my saucer, ‘Cause my cup has overflowed.

Standards Kansas

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“Citius, Altius, Fortius”

February 1, 2026
mike@standardsmichigan.com

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Standards Utah

 

John Williams composed the official theme for the 2002 Winter Olympics in Salt Lake City as a grand cantata-fanfare for orchestra and chorus, premiered by the Mormon Tabernacle Choir and Utah Symphony. The piece directly draws from the Olympic motto “Citius, Altius, Fortius”(“Faster, Higher, Stronger”), originally coined in Latin by modern Olympics founder Pierre de Coubertin in 1894, but rooted in the ancient Greek ethos of athletic excellence, striving, and human potential celebrated by authors like Pindar and Aristotle.

Williams opens with the choir emphatically chanting “Citius! Altius! Fortius!” repeatedly, building heroic orchestral swells to evoke triumphant effort and glory—mirroring ancient ideals of arete (virtue through competition) and pushing limits, as in Aristotle’s praise of those who act and compete rather than merely possess talent. He innovatively adds “Clarius” (“clearer”) in the finale, suggesting clarity of mind alongside physical prowess, extending the motto to encompass intellectual and spiritual elevation of The Games.

Milano Cortina

Sung Elsewhere:

“GV Brew”

February 1, 2026
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